Barry Test was an example authority record made to test AtoM and Archivematica metadata links.

Barry was born in Burnley, Lancashire and grew up in Hebdon bridge. Barry was a good little lad.

Barry Test was an example authority record made to test AtoM and Archivematica metadata links.

Barry was born in Burnley, Lancashire and grew up in Hebdon bridge.

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Earle Clare Shelley (1905-1990) was a graduate of Waterloo College (now Wilfrid Laurier University) in Waterloo, Ontario, and a professor, high school teacher, poet, and author. Born in Bridgeport, Ontario, Shelley attended high school at Waterloo College School from 1920-1924. He received his BA from Waterloo College in 1928, and was head of the French Department at Waterloo College from 1928-1931. Shelley graduated from the College of Education at the University of Toronto in 1932 and taught high school for 33 years. He served with the Canadian Army from 1939-1946. He wrote several books of poetry, and also compiled a two-volume French grammar dictionary. Shelley served on the Alumni boards of Waterloo College, Waterloo Lutheran University, and Wilfrid Laurier University, and also on the Senate and Board of Governors of the University. In recognition of this service, the Alumni Association named Earle Shelley "Alumnus of the Century".

Avis Lang [Rosenberg] (1944-) is an art historian, teacher, curator, writer and editor who lived in Vancouver for many years. In 1972, as a member of the faculty of the Fine Art Department at the University of British Columbia, she wrote to Canadian artist Jack Chambers (1931-1978) beginning a correspondence that led Chambers to invite her contribution to a scholarly monograph on his work. In 1973, Peter Mellen took over the editorial direction for the book and differences of opinion prompted her to resign the project. Her essay, “The Hart of London: a film by Jack Chambers” was included in The Films of Jack Chambers, edited by Kathryn Elder (Cinematheque Ontario and Indiana State University Press, 2002).

Elaine Briere is a Vancouver documentary-maker, photographer, journalist and social justice activist. Her documentary, Bitter Paradise: The Sell-Out of East Timor, won the best political documentary award at the Hot Docs Festival, North America’s preeminent documentary film showcase, in 1997. In addition to her work on East Timor, which includes a published collection of photographs (Testimony: Photographs of East Timor, Between the Lines, 2004), Briere has directed a documentary on Canadian merchant seamen, Betrayed: The Story of Canadian Merchant Seamen (1997), and has produced photo-journalism and print articles for "The Tyee", "Briarpatch", "Our Times", and other publications dedicated to labour and social justice issues. Briere’s photographs have appeared in many publications including, Carte Blanche Photography 1 (2004); The Other Mexico: The North American Triangle Completed (1996), South East Asia Tribal Groups and Ethnic Minorities (1987) and The Family of Women (1979). Her photographs have been featured in exhibits in Canada, Japan, Sweden and the United States.

The Waterloo Lutheran University Graduate School of Social Work was founded in 1966 with a curriculum based on clinical practice as well as community organization practice. Students specialized in one of five concentrations: community development, social planning, social administration, research, or individuals, families and social groups. The first class graduated in 1968, the same year that the Graduate School of Social Work was accredited by the Council on Social Work Education. In 1974, the name of the program was changed to the Faculty of Social Work to reflect the expansion into part-time, continuing education and undergraduate social welfare courses (offered in the Faculty of Arts and Science). In 1981, the Faculty of Social Work created an undergraduate Social Welfare Option, considered to be a minor.

The Doctor of Social Work program was established in 1987, making it the first doctoral program at Wilfrid Laurier University.

By 1988 the Faculty had moved from the seminary to the Peters building and then to the Aird building before moving to the St. Jerome’s Duke Street building in 2006. This Laurier Kitchener campus was a 12 million dollar conversion from historic landmark to professional school.

The first Dean of the Faculty of Social Work was Sheldon L. Rahn (1966-1968), followed by Francis J. Turner (1969-1979), Sherman Merle (1980-1983), Shankar A. Yelaja (1983-1993), Jonnah Hurn Mather (1994-2001), Luke J. Fusco (2001-2006), Leslie Cooper (2006-2009), and Nicholas Coady (2011-).

The Faculty of Science at Wilfrid Laurier University was founded in 2000, when the Faculty of Arts and Sciences partitioned into distinct faculties of Arts and Science. The Faculty consists of the Departments of Biology, Chemistry, Kinesiology and Physical Education, Mathematics, Physics and Computer Science, Psychology and the Health Sciences program. Deans of the Faculty of Science have been Dr. Arthur Szabo (2000-2007), Dr. Deb MacLatchy (2007-2009), and Dr. Paul Jessop (2009- present).

The Faculty is predominantly housed in the Science Building which was officially opened in 1995. Eventually the Science Research Centre (opened in 2004) was added between the Science and Bricker Academic Buildings. The Research Centre is a dedicated research building for faculty and students.

In 2000, the Faculty of Science mandate was as follows:
“Laurier’s Faculty of Science is dedicated to collaboration between and beyond its six departments. In that spirit, the Faculty offers selected high quality programs with homes in Biology, Chemistry, Kinesiology & Physical Education, Mathematics, Physics and Computer Science and Psychology. Its programs are contemporary and competitive, designed to attract the highest quality students, and to provide them with a stimulating education and thorough preparation for employment or further studies. That Faculty holds the advance of scientific knowledge as one of its key values, and as such is committed to sustaining a supportive climate for research in the pure, social and applied sciences. The Faculty’s spirit of shared enterprise is highly valued by its members.”

Established in 1975, the Faculty of Music delivers music education and related activities at Wilfrid Laurier University. As of 2013, undergraduate degree options include an Honours Bachelor of Music (BMus) degree and an Honours Bachelor of Music Therapy (BMT) degree. The faculty also offers Master of Music Therapy and Master of Arts in Community Music degrees. In addition to the degree programs, there are several supplementary and post-graduate options including three diploma programs, a practicum program and a management option. The Faculty of Music invites guest artists from around the world to contribute to the course offerings and hosts a number of affiliated artists, beginning in 1967 with Peter van Ginkel. Every year the faculty produces a number of concerts and recitals of traditional, new and original music. The concerts showcase the talents of WLU students and special guests in a variety of styles and forms including jazz, opera and orchestra.
The institution’s involvement with music dates back to first half of the 20th century when it was known as Waterloo College. Initially, musical activities at the college were the domain of student groups such as the college choir and the glee club. In the years following World War II the interest in music had grown at the college. There was an annual student musical known as the Purple and Gold review and the college choir led by Dr. Ulrich Leupold regularly toured the parishes of Southern Ontario. In 1945 Dr. Leupold established the Department of Music with the class Music10. By 1956 the college offered two courses in music history and theory, as well as one course on church music. In 1965 a music program was formally created by Dr. Walter Kemp. This new program allowed students to earn a Bachelor of Arts with a major in music. In 1969, a new three-year Bachelor of Music degree was introduced and was to commence in 1970.

The Music Department remained affiliated with the Faculty of Arts for the next five years. Traditionally, the department held classes in the chapel and in a music room in the Arts Building. However, these facilities did not suit department’s needs and in 1971 classes were moved into two houses on Bricker Street. Due to noise complaints from neighbouring residents, the music department was soon asked to vacate the houses. The department was then moved into the garage of the President’s House (Alumni Hall). On May 1st, 1975 the Department of Music became the Faculty of Music. Dr. Christine Mather was named the first Dean and was inducted on November 3, 1975. That same year, the Faculty of Music was moved to Macdonald House. In 1979, Dr. Gordon Greene became Dean and held the position for two consecutive terms. In 1988 the Faculty was moved to the newly constructed John Aird Centre, which contains the Maureen Forrester Recital Hall, the Theatre Auditorium, classrooms, practice rooms and offices. This purpose-built centre remains as the current home of the Faculty of Music. In 1989, Anne Hall was appointed Dean. Other Deans of the Faculty of Music include Dr. Charles Morrison (Appointed in 2000) and Dr. Glen Carruthers (Appointed in 2010).

Jules Frederic Wegman was born in Neuchatel, Switzerland on 14 July 1865 and received his early education there. He came to the United States with his father Julius, also an architect, at the age of ten years and trained with him. At one point he was sent to Jerusalem to measure the city and its buildings, and his drawings were used to reproduce the city at the Worlds’ Fair at St. Louis in 1904. Wegmen then spent several years in the Chicago office of Daniel H. Burnham & Co., a leading figure of American architecture. He appears to have also worked there under his own name, and is credited with the design of the Newbury Building, South Wabash Avenue at East Ninth Street in Chicago, in 1896. In 1905 he was invited to join the Toronto firm of Darling & Pearson, and worked there until his death in 1931, becoming a partner in 1924. He worked on the Sun Life Building in Montreal, the North Toronto Station at Yonge and Summerhill, and the 1925 expansion of the Art Gallery of Toronto. He spoke at least four languages fluently and traveled widely, collecting photographs and drawings of architectural details. In 1911 he joined the Arts and Letters Club and lunched there regularly. In 1912 he was Chairman of the Toronto Chapter of the Ontario Association of Architects and he was elected a Fellow of the Royal Architectural Institute of Canada shortly before his death.

In 1910 the Canada Synod and Synod of Central Canada of the Lutheran Church entered into an agreement to establish a Lutheran Seminary. Though the location first proposed for the Seminary was Toronto, Waterloo was selected when its citizens offered a tract of land on the boundary of the town. The choice of location was affected, too, by the fact that the majority of Lutherans in Ontario lived in the vicinity of Waterloo and Berlin (Kitchener). In 1911 the Evangelical Lutheran Seminary of Canada opened its doors.

Facilities for pre-theological education were established in 1914 with courses leading to senior matriculation given in Waterloo College School.

In 1924 the Waterloo College of Arts, providing courses in post-secondary education in a four year program, was established. In 1925 the Faculty of Arts, under the name of Waterloo College, affiliated with the University of Western Ontario. Waterloo College soon began to offer Honours degree programs in the arts.

The affiliation with the University of Western Ontario ended in 1960 when the Seminary obtained a revised charter changing the name of the institution to Waterloo Lutheran University.

On November 1, 1973, Waterloo Lutheran University became Wilfrid Laurier University, one of Ontario's provincially assisted universities after Bill 178 was given Royal Assent by the Lieutenant Governor, former Wilfrid Laurier University Chancellor William Ross Macdonald.

Waterloo Lutheran Seminary (WLS) officially opened on October 30, 1911 in Waterloo, Ontario in a house located on five acres of land donated by the City of Waterloo. The first class consisted of four students and one full-time faculty member, Ottomar Lincke. Lincke would also serve as the first executive officer until 1914. In 1924, Waterloo College was established, providing courses in post-secondary education. The following year, the Seminary and Waterloo College affiliated with the University of Western Ontario (UWO) allowing students to earn an accredited degree. Women were allowed to attend to Waterloo College beginning in 1929.

In 1960 Waterloo College ended its affiliation with the University of Western Ontario and became an independent, degree granting institution called Waterloo Lutheran University that operated alongside the Seminary.

The current Seminary building was dedicated on October 20th, 1963. In 1973 Waterloo Lutheran University became a provincially-funded, secular institution and was renamed Wilfrid Laurier University. The Lutheran Church was no longer responsible for the operating the University but the Waterloo Lutheran Seminary remained a federated college of Wilfrid Laurier University.

In the 1980s, the Waterloo Lutheran Seminary gained full accreditation status in the Association of Theological Schools in the United States and Canada. In 1994, a Doctor of Ministry degree was added. The year 2010 saw the creation of the Kanata Centre for Worship and Global Song, which seeks to bridge the cultural gap between developed and less developed countries. Currently, the Seminary offers a variety of diploma, master’s and doctoral programs, as well as a Bachelor of Arts in Christian Studies and Global Citizenship.

Sir William Cornelius Van Horne (1843-1915), principal builder of the Canadian Pacific Railway and prominent businessman, was an important collector of paintings and Japanese ceramics and an accomplished amateur painter. Born in Illinois, he worked for American railway companies in various capacities until 1882, when he was appointed general manager of Canadian Pacific Railway, the construction of which was completed under his direction. In 1888, Van Horne was elected president of the company, and in 1899, he became president of its board of directors. He retired from active work in the company in 1910. Van Horne incorporated the Cuba Company in 1900 following a visit to that country; under its operations he built and operated a railway, sugar plantations and hotels. In North America, Van Horne was executive or director of more than 40 companies, and was considered one of Canada’s most successful businessmen. William Van Horne married Lucy Adaline, daughter of Erastus Hurd of Galesburg, Illinois, in 1867. They had 3 children: Adaline (1868-1941), William (1871-1876), and Richard Benedict (1877-1931). The family lived principally in Montreal, and also had residences in St. Andrews, New Brunswick, and in Cuba. Van Horne was knighted (KCMG) in 1894. Sir William’s art collection is considered to have been the most prominent pre-First World War collection in Montreal. It contained Old Master and 19th-century European paintings and Japanese ceramics, and also featured ship models and European decorative arts. Van Horne lent regularly to the Montreal Art Association (precursor to the Montreal Museum of Fine Arts) from 1887 to 1912. His reputation as a collector resulted in his appointment to the consultative committee of the Burlington Magazine in London from 1905 until his death in 1915. Following Sir William’s death, the bulk of his ceramics collection was left to the Royal Ontario Museum in Toronto and the art collection passed to the joint ownership of Lady Van Horne and her children Adaline and Richard Benedict, according to terms of Sir William’s will. Lady Van Horne died in 1929. Under the terms of her will, a portion of the art collection went to the Montreal Museum of Fine Arts and the rest was shared among her children. Richard Benedict Van Horne died in 1931. His widow, Edith Molson, had no claim to any share in the remains of the art collection; subsequently she married R. Randolph Bruce. A fire at the Van Horne mansion in 1935 did not damage any paintings. Adaline Van Horne, who had been managing the collection through the 1930s, died unmarried and childless in 1941. Ownership of the collection then passed to Richard Benedict and Edith’s son William C.C. Van Horne (1907–1946) and his wife Margaret (d.1987), familiarly known as “Billie” (née Hannon). When William died, leaving no heir, ownership of the collection remained with his wife. Margaret Van Horne managed the art collection for over forty years, corresponding with art dealers and conservators in order to achieve optimal values for paintings. Numerous paintings were sold in several different auction sales over the course of this time. She continued to live in the Van Horne mansion until 1972. The house was demolished the following year to great protest in the architectural conservation community. When Margaret Van Horne died in 1987, the remainder of the collection passed to her brother Matthew Hannon. Upon Matthew Hannon’s death in 1988, the remainder of the art collection passed to his heirs.

In 1986, Uniroyal Chemical Company was formed as a subsidiary of Avery Inc. Then, in 1989, Uniroyal Chemical Company Investors Holding bought Uniroyal Chemical Company from Avery and became Uniroyal Chemical Corporation. In 1996, Uniroyal Chemical Corporation went public and merged with Crompton & Knowles. In 1996, Uniroyal Chemical Corporation went public and merged with Crompton & Knowles. In 1999, Crompton & Knowles merged with Witco to form Crompton Corporation. In 2005, Crompton acquired Great Lakes Chemical Company, Inc., of West Lafayette, Indiana, to form Chemtura Corporation.

Chemtura Corporation was a global corporation headquartered in Philadelphia, Pennsylvania, with its other principal executive office in Middlebury, Connecticut. The company focused on specialty chemicals for various industrial sectors, and these were transportation (including automotive), energy, agriculture, and electronics. Chemtura operated manufacturing plants in 11 countries, including Canada.

Chemtura Corporation was the successor to Crompton & Knowles Corporation, which was incorporated in Massachusetts in 1900 and engaged in the manufacture and sale of specialty chemicals beginning in 1954. Crompton & Knowles traces its roots to Crompton Loom Works incorporated in the 1840s. In 2005, Crompton acquired Great Lakes Chemical Company, Inc., of West Lafayette, Indiana, to form Chemtura Corporation. Additionally, Great Lakes Chemical Corporation still existed as a subsidiary company of Chemtura. On April 21, 2017, Chemtura was officially acquired by Lanxess for $2.1 billion in cash.

In Canada, Chemtura and its predecessor corporations operated a plant in Elmira, Ontario. Since 1941 the plant has undergone various name and ownership changes. From 1966-2000 the plant operated as Uniroyal Chemical, from 2000-2006 as Crompton Company, and on July 1, 2006 formally changed its name to Chemtura Canada Company.

Emily Howard Jennings Stowe (1831-1903) was a teacher and principal, a medical doctor, and a suffragette. Educated at home, Stowe became a teacher in 1846 and graduated from the Provincial Normal School in Toronto, Canada West in 1854. In 1865 Stowe applied to study medicine at the University of Toronto, but was denied entry because she was a woman. Unable to pursue her education in Canada, she attended the New York Medical College for Women. After graduating in 1867, Stowe returned to Toronto to practice medicine without a license. In 1870 she was allowed to attend the University of Toronto and was granted a medical license in 1880. In 1877 Emily Stowe organized Canada's first suffrage organization, initially called the Toronto Women's Literary Club, which later became the Toronto Women's Suffrage Club.

Ann Augusta Stowe-Gullen (1857-1943) was a medical doctor, a lecturer and a suffragette. She was born in Mt. Pleasant, Ontario, the daughter of John Stowe and Emily Howard Jennings. She married John Benjamin Gullen in 1883. She died in Toronto. Stowe-Gullen was educated at the Toronto School of Medicine, then at the Faculty of Medicine at Victoria University, Toronto, where she became an M.D. in 1883, the first woman to graduate from a Canadian medical school. Immediately after graduating she was appointed Demonstrator in Anatomy at the Woman’s Medical College in Toronto (from 1894 onwards known as the Ontario Medical College for Women). In 1890 she was appointed Lecturer on Diseases of Children, subsequently Professor of Diseases of Children. She also served among the original staff members of Toronto Western Hospital (founded in 1896). Stowe-Gullen was a member of the Ontario College of Physicians and Surgeons, the Ontario Social Service Council, the Senate of the University of Toronto where she represented women in the medical profession (1912-24), the Toronto Board of Education (1892-96), the University Women's Club, the Women's Art Association, the Women's Board at Toronto Western Hospital, and the Women's Canadian Club. She was also active in the suffrage, temperance and other social movements. She was among the founders of the National Council of Women in 1893, (President) of the Canadian Suffrage Association, (Vice-President) of the National Council of Women, and she succeeded her mother as President of the Dominion Women’s Enfranchisement Association in 1903. In 1935 she was awarded the Order of the British Empire.

Jim Stapleton was a student at Waterloo Lutheran University (now Wilfrid Laurier University) from 1961 to 1965.

John Frederick Nathanael Spady (1879-1947) was a musician and composer in Waterloo, Ontario. Taught by his mother, who was the organist at St. John’s Lutheran Church in Waterloo for more than 30 years, Spady excelled as a pianist and violinist. He authored more than 600 pieces of music.

Goldwin Smith (1823-1910) was a prominent journalist, academic and liberal reformer who spent the latter part of his life in Toronto. Born in Reading, England, he was educated at Eton College and Oxford University, and was the Regius Professor of History at Oxford from 1858 to 1866. Smith began to publish widely on history and political reform. He moved to the United States in 1868, and taught briefly at Cornell University, to which he retained a connection for the rest of his life. He moved to Toronto in 1871, and married Harriet Elizabeth Mann (née Dixon) the widow of William Henry Boulton, in 1875. Smith thus became master of the Grange house and estate in central Toronto, and became a pillar of Toronto society. His journalistic career included a brief employment at the Globe, after which he joined independent publishing ventures including the Canadian Monthly and National Review and the Evening Telegram. He then published his own journal, the Bystander, sporadically between 1879 and 1890. Smith also published widely in other local and international news journals. He took part in important civic and educational reform initiatives, including serving on the new board of the University of Toronto. The Grange remained his wife's property and was willed by her to the city of Toronto to serve as a public art gallery, later becoming the first home of the Art Gallery of Ontario.

Helen Sanderson Sewell (1905-2001) was a Toronto artist and teacher. She attended the Ontario College of Art, graduating in 1928 with the Governor General’s Gold Medal. After graduation, she taught for six years with Arthur Lismer at the Art Gallery of Ontario and in Barrie, London, and her Toronto studio. She traveled to northern Ontario to paint with members of the Group of Seven. In 1934 she married William Sewell and interrupted her career to raise four children, including former Toronto mayor John Sewell. She resumed painting when her children were in high school, specializing in portraiture, and was active in the Toronto Heliconian Club.

Henry Sandham (1842-1910) was an illustrator and painter who lived successively in Montreal, Boston, and London, England. He was associated with the Montreal studio of William Notman, where he received his early training, later headed the art department, and was briefly a partner. Sandham produced illustrations for several leading magazines of his day, including the Century Magazine.

Harold Russell was a student at Waterloo College from 1954 to 1958. He was a member of the Waterloo College Detachment of the University of Western Ontario Contingent of the Canadian Officers' Training Corps.

Judith Rodger is a freelance curator and art historian based in London, Ontario. Rodger was chief curator of the London Regional Art & Historical Museum, and was personally acquainted with Greg Curnoe. She contributed the chronology and bibliography to the catalogue of the exhibition Greg Curnoe: Life and Stuff (Toronto: Art Gallery of Ontario, 2000). For a biographical sketch of Greg Curnoe, please see Greg Curnoe fonds.

Mercer Union was created by former members of A.C.T. in 1979 to operate as an artist-run, non-profit cooperative gallery. Twelve founders contributed financially to the rental of a ground floor space at 29 Mercer Street and planned to mix local, regional, national and international exhibits, collaborating with other artist-run programs. Its mandate was to exhibit new work in the most advanced forms of painting and sculpture that was not receiving exposure in the commercial and public galleries. Performance art, installations and music were incorporated into the programming, which has continued to represent innovative and sometimes controversial material. Twelve board members are elected by dues-paying members and serve on the various committees (programming, curatorial, etc), with the help of a small paid staff. The gallery moved to 333 Adelaide Street West, 5th floor in 1981 and 439 King Street West in 1994. Their present location is 37 Lisgar Street; current information about the gallery can be obtained at www.mercerunion.org.

Factory 77, initially known as Galerie Scollard, was a Toronto artist-run gallery focused on art education which operated between 1976 and 1982. Galerie Scollard was established in Toronto in 1976 as a non- profit charitable organization by Dushka Arezina, a Yugoslavian emigrée, artist, and art historian. It was coined a “centre for education in vision” and was located on Scollard Street in Toronto. The gallery was operated by a Board of Directors of which Harvey Cowan was the chairperson and Kenneth Lund the president. Dushka Arezina sat on the Board of Directors as treasurer and was also the gallery’s executive director. Galerie Scollard ceased opera tions under that name in 1978 and was re-established as Factory 77 in November 1978 upon moving into a former carpet factory at 77 Mowat Ave. in Toronto’s Parkdale area. Factory 77’s operations were overseen by Arezina and a Board of Directors chaired by Lund, a Toronto lawyer. It aimed to present a broad view of contemporary visual arts by exhibiting established artists together with emerging ones. In the years between 1978 and 1982, the gallery mounted more than 13 exhibitions per year, featuring prominent Canadian artists such as Mary and Christopher Pratt, Lynn Do noghue, and Ken Danby. The gallery also placed significant emphasis on exhibitions by Eastern European artists such as Jiri Ladocha. The gallery aimed to foster student participation through exhibits of student and youth work, and placed significant focus on art education and appreciation outreach programs in elementary and secondary schools in the Toronto area. Due to financial and administrative difficulties, Factory 77 ceased operations permanently in February 1982.

John Hamilton Bush (1909–1977), primarily known as Jack Bush, was a Canadian painter best known for his Abstract Expressionist style. Born in Toronto, he lived in London, Ont. and Montreal during his early years. Jack Bush began his career in advertising, working in his father’s firm, Rapid Electro Type Company in Montreal. During this time, he studied at the Art Association of Montreal with Edmund Dyonnet and Adam Sherriff Scott. In 1928, he transferred to the company’s office in Toronto, where he took evening classes under Frederick Challener, John Alfsen and Charles Comfort at the Ontario College of Art. Bush’s early work as a painter was influenced by Comfort and the Group of Seven, and throughout the 1930s and ‘40s he produced largely landscape and figurative paintings. His first exhibition was with the Ontario Society of Artists in Toronto in 1936.
In 1934, Jack Bush married Mabel Mills Teakle, a family friend from Montreal, and together they had three sons, Jack Jr (b. 1936), Robert (b. 1938) and Terry (b. 1942). In 1953, dissatisfied with Canada’s place in the international contemporary art scene, Bush and several other Toronto abstract artists founded the group Painters Eleven. William Ronald, another member of Painters Eleven, and an artist who had worked in New York, introduced U.S. art critic Clement Greenberg to the group, which led to a lasting friendship between Bush and Greenberg. The contact with Greenberg in 1957 led to Bush’s international breakthrough in the early 1960s, beginning with his 1962 exhibition at the Robert Elkon Gallery in New York. Between the late 1950s and mid ‘60s, Bush painted in loose brushstrokes with diluted oils, staining paint onto unprimed canvas. In 1966, concerned by the health hazards associated with oil-based paints, he switched to water-based acrylics, less textured than oils but more brightly coloured.
In 1964, Jack Bush’s work was included in Greenberg’s Post-Painterly Abstraction at the Los Angeles County Museum, an exhibition that travelled to Minneapolis and Toronto. Along with Jacques Hurtubise, Bush represented Canada at the Bienal de São Paulo (Brazil) in 1967. In the year preceding his death in 1977 (from a heart attack), he received the Order of Canada. That same year, the Art Gallery of Ontario mounted a retrospective exhibition of his abstract works that travelled to several Canadian galleries. Jack Bush’s work is in the collections of the Art Gallery of Ontario, the National Gallery of Canada, the Montreal Museum of Fine Arts, Boston’s Museum of Fine Arts, London’s Tate Gallery and others.

Kathleen Jean Munn (1887-1974) was a modernist Canadian painter active in Toronto between the World Wars. She was the youngest of six children born to a Toronto jeweler who died when she was four (of an infection caused by the impact from a champagne cork) leaving her mother to manage the family business. Her talent for drawing was encouraged by her maternal grandmother, an accomplished amateur painter, and she was sent to study at the Westbourne School with F. McGillivray Knowles from 1904 to 1907. Knowles encouraged personal expression and an understanding of the principles of art and Munn thrived in this environment. In 1909 she began to exhibit Barbizon inspired landscapes at the OSA, RCA and CNE exhibitions, moving through periods influenced by Whistler, Corot, Puvis de Chavannes and the post-impressionists. About 1912 Munn first traveled to New York to study at the Art Student’s League and in 1914 she was awarded first prize at the Summer School in Woodstock NY. In 1915-16 she began a series of landscapes in which she showed a mastery of modernist techniques. Her association with the Art Student’s League, whose teachers were early proponents of modernism, was an important influence. Her notebooks show that she was reading extensively and broadly in the areas of literature, philosophy and aesthetics. She studied Jay Hambridge’s mathematical principles, the concept of ‘dynamic symmetry’ and Denman Ross’s colour theory. She seems to have been drawn to writers who proposed an underlying system of order and logic as a basis for individual expression. She also toured Britain and the major art centres of continental Europe in 1920, accompanied by her sister, and this trip seems to have encouraged her quest for a means to express religious and spiritual themes in a contemporary fashion. She was ultimately uncomfortable with complete abstraction and believed that art should express a larger purpose, influenced by readings of Blavatsky, Blake, Whitman, and others. The Group of Seven shared her interest in the spiritual content of painting but she was intolerant of their nationalism; of her contemporaries she formed the closest bonds with Bertram Brooker and Lemoine Fitzgerald. Her studio, in a large room overlooking the ravine at the family home at 320 Spadina Avenue, was visited often by Brooker. The household consisted of three unmarried siblings: Will (Jr.), who ran the family business, May, a teacher who ran the household, and Kathleen. During the 1920’s she began to work on a series of paintings that explored Christian themes and she devoted the 1930’s to the subject of the Passion. Two major drawings from this series were purchased by the Art Gallery of Ontario in 1945. She exhibited a number of these drawings with Fitzgerald and Brooker at the Malloney Galleries in Toronto in 1935 but there as little critical response. Discouragement at her lack of critical success, combined with the death of her brother in 1935 and her sister’s increasing disability, led to the end of her artistic output around 1939. Most of her work remained in family hands. The Art Gallery of Toronto exhibited her Passion drawings in several group shows in the 1940’s and the Willistead Art Gallery in Windsor included her Ascension in a 1954 show of drawings. She died twenty years later, in October 1974.

Gilbert Forrest Bagnani (1900-1985) was a professor of ancient history. He was born in Rome to General Ugo Bagnani and Florence Dewar. He served as a Second Lieutenant of artillery towards the end of World War I. After the War he returned to the University of Rome where he received his doctorate. Instead of entering law as he had planned, he turned to the Italian School of Archaeology in Athens to study antiquities. In 1929 Gilbert married Mary Augusta Stewart Houston (1903-1996) of Toronto, daughter of Stewart Houston (editor of "The Financial Post") and Augusta Robinson (daughter of John Beverley Robinson, Lieutenant-Governor of Ontario, and granddaughter of Sir John Beverley Robinson, Chief Justice and Attorney-General of Upper Canada). Gilbert and Stewart had an apartment in Rome and for seven seasons worked, in the Sahara Desert, with the Royal Archaeological Mission to Egypt. In 1937 they fled fascist Italy and purchased a 200 acre farm and house built around 1845 near Port Hope, Ontario and named it "Vogrie". In 1945 Gilbert was invited to teach ancient history at the University of Toronto and in 1958 became a Professor. He retired from the University of Toronto in 1965. The Bagnanis returned to "Vogrie". In the same year, Gilbert was asked to accept a term-appointment at Trent University. He was honoured with a LL.D. by Trent in 1971 and he continued to teach as a Professor of Ancient History until 1975.

J.A. Wainwright (1946- ) is a writer of poetry, fiction and non-fiction; and an emeritus Professor of English at Dalhousie University. He published Blazing Figures: A Life of Robert Markle (Waterloo, ON: Wilfrid Laurier University Press) in 2010.

Gershon Iskowitz (1921-1988) was an abstract painter based in Toronto for much of his artistic career. Born in Kielce, Poland, he survived internment in Nazi concentration camps and lost his entire family in the Holocaust. Iskowitz studied art in Munich at the Akademie der Bildenden Künste in 1947, soon transferring to private studies with Oskar Kokoschka. He moved to Toronto in 1949. His work developed from wartime imagery to a focus on landscapes (particularly inspired by practice in the Parry Sound area), eventually arriving at his mature abstract expressionist style in 1967. Iskowitz began exhibiting with Gallery Moos in 1964, a relationship which continued throughout his career. He taught at the New School (Toronto) from 1967-1970, and his informal mentoring of artists in Toronto is often noted. Iskowitz, along with Walter Redinger, represented Canada at the Venice Biennale in 1972. The artist established the Gershon Iskowitz Foundation in 1985, with the mandate of awarding the Gershon Iskowitz Prize to a mature practising artist; since 2007 the Foundation has partnered with the Art Gallery of Ontario to administer the Gershon Iskowitz Prize at the AGO.

The Gershon Iskowitz Foundation was started by artist Gershon Iskowitz in 1985, with the mandate of awarding the Gershon Iskowitz Prize to a mature practising artist; since 2007 the Foundation has partnered with the Art Gallery of Ontario to administer the Gershon Iskowitz Prize at the AGO.

Robert Nelson Markle, Canadian artist, writer, educator and musician, was born in Hamilton, Ontario in 1936 and died in Holstein, Ontario in 1990. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.

William Grant Munro (1975-2010) was a Toronto-based visual artist, community builder, event organizer and entrepreneur. Munro spent his childhood and teenage years in Mississauga. He graduated in 2000 from the Ontario College of Art and Design, where he studied sculpture and installation. In 1999, he founded Vazaleen, a now legendary series of dance parties. In 2006, he and Lynn MacNeil purchased the Beaver Café, a hub of artistic, musical and social activity at Queen Street West and Gladstone Avenue in Toronto’s Parkdale neighbourhood. Munro worked as a DJ for events in the visual art community. He served on the Board of Directors of Art Metropole and York University. His artwork has been exhibited in solo and group exhibitions at numerous venues including Art in General, New York; and the Art Gallery of Ontario, Mercer Union, Art Gallery of York University, and Paul Petro Contemporary Art, Toronto. His work is represented by Paul Petro Contemporary Art.

Robert William Geary (fl. 1913-1933) lived in Niagara Falls, Ontario. According to a note in the inventory, in 1913 the Geary family lived at 33 Barker Street. Geary was the third president of the Lundy’s Lane Historical Society (1908 1932), and was the author of Historical sketches : a memorial of the hundredth anniversary of the War of 1812-14, 1912. He died in June, 1933.

Charles William Jefferys (1869-1951) was a prolific Canadian artist, illustrator and author. He was a talented landscape painter whose work was widely exhibited and collected, but is best known for his illustrations of Canada’s past. He was born in Rochester, Kent. In 1875 the Jefferys family emigrated to Philadelphia, then in 1878 they moved to Hamilton before settling in Toronto around 1880. Jefferys began formal training as an artist in 1884 when he started attending evening classes at the Ontario School of Art. The following year, Jefferys began a five-year apprenticeship at the Toronto Lithographic Company, where he was also hired out to work occasionally as an illustrator for The Globe. He worked as an artist for The Globe, as well as for a number of other Canadian newspapers until the fall of 1892 when he was taken on as an artist-reporter for The New York Herald. Jefferys lived in New York and New Jersey until 1899, returning to Canada permanently in 1901, eventually settling in York Mills. Jefferys illustrated a large number of books and articles providing illustrations for The Makers of Canada (1903-1911), Chronicles of Canada (1914-1916), was co-founder of the satirical periodical The Moon (1902-1904), and wrote and illustrated Canada’s Past in Pictures (1934) and The Picture Gallery of Canadian History (1942, 1945, 1950). He also gave frequent lectures and published numerous articles on art, architecture, and Canadian history. From 1912 to 1939 Jefferys was instructor of freehand drawing at the Department of Architecture at the University of Toronto. He also was a lecturer and part-time instructor at the Ontario College of Art. Jefferys worked for Canadian War Records in 1918, recording the activities Polish Army in Exile at Niagara and Toronto and the Siberian Army in Exile in at Camp Petawawa, Ontario. Jefferys was active in many organizations, including the Ontario Society of Artists, Royal Canadian Academy, Art Students’ League, and the Arts and Letters Club. He exhibited his art widely throughout his life, in Canada and abroad, and his work appears in major institutions across Canada. Robert Stacey (1949- ) is the grandson of C.W. Jefferys. He is an art historian, author, editor, picture editor and curator based out of Toronto. Has written numerous books and articles on C.W. Jefferys and many other aspects relating to Canadian art and graphic design, with titles including The Hand Holding the Brush: Self Portraits by Canadian Artists, Canadian Bookplates, Massanog: the art of Bon Echo, and Sir Daniel Wilson (1816-1892): ambidextrous polymath.

Workscene Gallery was a non-profit, artist-run co-operative gallery in Toronto, 1974-1995. It originally provided studio space and a venue for exhibitions of members’ works, later expanding to exhibiting other artists’ works and curated exhibitions. Members were responsible for all programming and administration with individual artists responsible for content, installation and promotion of exhibitions. Members were required to have a strong art practice, to provide financial support through membership fees and be committed to promoting the arts community.
The co-operative was incorporated May 16, 1974 as Workscene Co-operative Corporation with the following directors: Gissa Geraldine Gold, Ian James Shaw, James Henry Tiley, Robert John Varty and Badanna Bernice Zack. In May 1988, the corporation was re-activated by the current group of artist members who began operating the Workscene Galley at 1020 Queen Street West as an exhibition space. This storefront gallery was formerly the Ruby-Fiorino Gallery and the co-operative remained in this space until the lease expired at the end of August 1990. In September 1990, Workscene Gallery relocated to 183 Bathurst Street, a building which was a focal point at that time for Toronto’s arts community and housed other artist-run centres, arts organizations and magazines. Workscene Co-operative Corporation also produced a magazine as an independent program, Work Seen Artists Forum, to provide a forum for artists to write about their work and issues of concern. In the summer of 1992 the magazine became a separate entity with no ties to the Workscene Gallery, changing its name to Artword Artists Forum.
Workscene Co-operative Corporation was dissolved in February 1992. Workscene Gallery Art Association Toronto Inc. was formed in June 1992 with the following directors: Jocelyne Regina Belcourt Salem (President), Yvonne Maria Eva Singer (1st Vice President), Ian David Lazarus (2nd Vice President), David John Renaud (Treasurer), and Sheila Ann Gregory (Secretary). The final exhibition of Workscene Gallery ended January 28, 1995 and was documented in a number of newspaper articles describing the event. Workscene ceased operations permanently in 1995.

John Faichney is a Canadian dancer, television producer and software analyst born in Montreal in 1952. He graduated from Oberlin College where he developed an interest in choreography and dance improvisation. In May 1976 he performed at the Centre for Experimental Art & Communication (CEAC) in Toronto and was invited to join the Centre’s staff. Amongst other activities, he designed printed matter, maintained exchange programs with other artists’ groups, curated an exhibition of artists’ books and managed distribution of mailings and periodicals (including Strike, a quasi monthly newspaper.) An offshoot of the Kensington Art Association, CEAC moved in 1976 to 86 John Street and then to 15 Duncan Street, offering space for performance art, installations, videos and music. Key members of the group were Amerigo Marras, Suber Corley, Bruce Eves and Ron Gillespie (a.k.a Ron Giii); Marras in particular encouraged connections with European and American artists. The group became increasingly politicized and in 1978 its government funding was rescinded. An attempt at self sufficiency by starting a television production studio at 124 Lisgar Street was not sustainable and CEAC disbanded in 1980. John Faichney lives in Kitchener, Ontario, and remains involved with Contact Improvisation.

The Master Print and Drawing Society of Ontario (MPDSO) is the first independent body of specialist collectors of prints and drawings in Canada. Founded in 1985 by Sidney Bregman and Katharine Lochnan, the Society first came into existence as the Master Print and Drawing Society, and operated as a non-profit educational association that provided special assistance to its members with problems unique to collecting. The Society is officially affiliated with the Art Gallery of Ontario, but is an independent organization belonging to its members, and through its Board of Directors determines its objectives, policies and activities, requirements for membership, selection of new members, and the composition of its executive. The executive consists of the President, Vice-President(s), Secretary/Treasurer, and Directors. The President has primary responsibility for determining the Society's activities, making arrangements for lectures, tours, and other special events. Since 1989, the MPDSO has been supported by the Fraser Elliot Foundation in fulfilling its mandate to represent the collective interests of its members in seeking out the expert advice of scholars, curators, and visiting lectures to contribute special assistance with collecting master prints and drawings from the 15th to the mid 20th century.

George Agnew Reid (1860-1947) was a Canadian artist, architect, educator and administrator influential in the early 20th century and instrumental in the formation of a number of important Canadian art institutions. Born in Wingham Ontario to a Scottish farm family, he studied architecture and book-keeping at his father’s insistence. In 1878 he moved to Toronto to study art. He was able to extend his art education under Thomas Eakins in Philadelphia, where he met the painter Mary Heister. In 1888 the couple travelled to Europe and studied at the Julian and Colorossi Academies, returning to Toronto in 1889. The house he designed and built in Wychwood Park was his home until the end of his life. In 1890, George Reid began reaching at the Central Ontario School of Art and Design. He eventually became principal and researched new theories of art education in the United States and Europe. Under his direction, the art school became independent of the Board of Education and moved into its own building, which he designed, in 1921. He also served as its first Principal. In 1892, George and Mary Reid built two cottages from his design at the artist colony in Onteora, New York. This led to the design of other summer homes and a small church in the Catskills community. They spent summers at this location until 1917 when the war made travel to the United States difficult. In 1921 Mary Heister Reid died, and in 1923 George Reid married Mary Wrinch, a former student and close friend of his first wife. His later life was filled with accomplishments, including the painting of murals for public spaces in Toronto City Hall, Jarvis Collegiate, the Royal Ontario Museum and elsewhere. He was instrumental in obtaining permanent funding and staff for the National Gallery in Ottawa, and was a force behind the establishment of the Art Gallery of Toronto. He was a member of the RCA, serving as President 1906-1907. He influenced a generation of students, among them C.W. Jefferys, through his teaching and created a number of works that exemplify his generation, including Forbidden Fruit, Mortgaging the Homestead, and The Foreclosure of the Mortgage.

Henry A. Regier (1930 - ) was a professor of zoology and environmental studies at the University of Toronto until his retirement in 1995. Regier received his BA from Queen's University, a professional teaching certificate from the University of Toronto, and his PhD from Cornell University. In 1966 he joined the University of Toronto. Henry Regier's research interests include the Great Lakes, human use of aquatic systems, world population, and climate change. Regier served as a Canadian commissioner on the Great Lakes Fishery Commission, from 1980 to 1989. From 1987 to 1990 he served on the Great Lakes Science Advisory Board of the International Joint Commission of Canada and the USA. Regier has received many awards, including the Conservation Award of the Federation of Ontario Naturalists in 1980, the Centenary Medal by the Royal Society of Canada in 1986, the Award of Excellence of the American Fisheries Society in 1992, and the Lifetime Achievement Award from the International Association of Great Lakes Research in 2005.

The scouting movement was founded in England in 1907 by Robert Baden-Powell, then a lieutenant-general in the British army. Scouting came to Canada in early 1908 with three troops established almost simultaneously in Merrickville and St Catharines ON and Port Morien, NS, and in 1912 the Boy Scout Association was granted a royal charter throughout the Commonwealth by King George V. The Canadian General Council of the Boy Scout Association, incorporated 12 June 1914, was a branch of the Boy Scout Association until 30 October 1946 when it became an independent member of the Boy Scout World Conference. The name was changed to Boy Scouts of Canada and to Scouts Canada in 1976.

Jean Narozamski was a horticulturist and a librarian who helped to found the Walden Garden club in 1976.

Pioneer Construction was founded in Sudbury by Joe Salvalagio, Pietro Coltinari, and Mario Negusanti in 1938. The team hired Alex Macgregor as manager shortly after.

By the 1950s Pioneer Construction was tackling city and highway road construction, sewer and watermain projects, while expanding into the mining, forestry and railroad industries. In 1954, Pioneer Construction was home to the first asphalt plant in the North. Company ownership transferred to Grant Henderson, Peter Crossgrove and then to Jamie Wallace in 1976. Today Pioneer Construction builds and maintains highways and municipal roads across Northern Ontario.

Personal Studio was founded by Robert T.G. Nicol and a friend, and officially opened for business on March 21, 1946. Nicol was the sole photographer and owner by the fall of 1946. For the next fifty years Robert Nicol documented the Waterloo Region through personal and commercial photography. He pioneered the concept of wedding albums in the local area. He had started flying in 1961 and from that time on took aerial photographs as well as studio and candid photography. In the course of his career he maintained memberships in professional photographers' organizations as well as completing continuing photographic educational courses offered by those organizations. He retired as a professional photographer in 1996.

Lawrence Arthur Colley Panton (1894-1954) was a Canadian painter, educator and academician active in Toronto from the 1930s until his death. Born in England, he immigrated to Canada at 17. He served in the Army during 1916-1919 and studied art in the evening after his return from the war. In Toronto, he worked at Rous and Mann as a designer until 1924 when he began his teaching career, first at the Central Technical School and then at Western Technical School (1926-37), Northern Vocational School (1937-51) and finally principal of the Ontario College of Art (1951-54). In 1920 he married Marion Pye; their son Charles was born in 1921 and died in action in 1944. Panton was active in a number of organizations, including the Ontario Society of Artists (President 1931-37), the Canadian Society of Painter-Etchers and Engravers, the Canadian Group of Painters, The Royal Canadian Academy and the Arts and Letters Club (President 1953-54).

APT Environment is an environmental organization in Elmira, Ontario, that is interested in the Chemtura Canada Company, formerly Uniroyal Chemical and Crompton Company. Since 1941 the plant has undergone various name and ownership changes. From 1966-2000 the plant operated as Uniroyal Chemical, from 2000-2006 as Crompton Company, and on July 1, 2006 formally changed its name to Chemtura Canada Company.

The Beaver Valley Heritage Society began in the mid 1970s as a group of concerned citizens, and was incorporated in 1981 as a non-profit citizen's organization created to preserve and protect the natural environment of the Beaver Valley in Ontario. The Beaver Valley's territory runs through the four townships of Artemesia, Collingwood, Euphrasia and St. Vincent. It stretches over 25 miles, from Flesherton to Georgian Bay at Thornbury. The Beaver Valley Heritage Society endeavors to represent the interests of the Valley's residents and anyone who wishes to support the Society's objectives of opposing inappropriate development in the Valley. The Society supports development, provided it occurs in approved areas, and does not impact on wildlife, fishing, and the natural environment. The role of the Society is to present the views of its members in a coherent, concise and organized way to the decision-making bodies that have jurisdiction over the Beaver Valley.

Jim Birtch (19-- - ) is the Executive Secretary of the Canadian Biosphere Reserves Association, a non-profit association incorporated in 1997, to provide support and networking relationships that help develop and maintain biosphere reserves throughout Canada.

Jacob Cooke was born in England in 1908 and emigrated to Canada in 1927, eventually settling in Burlington, Ontario. He worked as a carpenter’s helper for Pigott Construction (based in Hamilton, Ontario), and later specialized in the laying of hardwood floors. In 1935, he purchased a hand operated block making machine and began manufacturing concrete blocks in the evenings in a shed at the back of his home at 3 New Street (now 2109 New Street). The blocks were to be used as bases for Christmas trees that decorated Brant Street that Christmas season.

In 1937, he installed his first power-operated block machine. He purchased sand and gravel from Frank Scheer on St. Matthew’s Avenue. The demand for concrete blocks continued, so what had begun as a small cottage industry expanded to larger premises on St. Matthew’s Avenue in Aldershot, on lands purchased from George Filman. An adjacent 55 acre gravel pit provided the raw materials needed for the rapidly expanding operation.

Jacob Cooke purchased property in Aldershot, Oakville and Hamilton. He and employee Brant Coleman developed these properties and sold them to builders. In 1952, they developed the Glen Acres survey (Birdland) on the Filman property. The streets were named after birds in honour of William Filman, who used to have a bird sanctuary on the property. As the business expanded, Jacob Cooke purchased Joe DeLuca’s farm which became the site of the Cooke Business Park at 35 Plains Road E.

By 1953, J. Cooke Concrete Blocks was the largest producer of concrete blocks in Canada, each day producing enough to build 30 houses. The company was in operation around the clock and produced ten million eight-inch blocks per year. Jacob Cooke, retaining the land development company, sold the concrete block business in 1958. His son William (Bill) stayed on to manage the company with his brother Eugene Barrymore (Barry) as Plant Manager. The company was sold again in 1977 and 1998.

At the age of 62, Jacob Cooke visited family in Australia and decided to pursue opportunities there. Convincing his son Barry to join him, Jacob purchased, cleared and planted thousands of acres of land. Jacob Cooke died in Australia on 6 November 1976.

William Jacob Cooke (Bill) was born on Maple Avenue in Burlington on 1 June 1931. He and his brother Eugene Barrymore (Barry) attended Maplehurst Public School and Waterdown High School. Bill married Mary Elizabeth Gray (Bette) on 19 February 1955. Bill carried on the concrete block business after his father and brother moved to Australia, and also became involved with land development.

Some of the areas developed in Aldershot by the Cooke family are Birdland, Harbour Heights, Oaklands Estates, Fairwood Place West, and the Cooke Business Park adjacent to the former concrete block plant. The Cooke family developed over 800 residential lots in the Aldershot area. The property now known as Oaklands Estates on Burlington Bay was purchased by Jacob Cooke in the early 1950s and was later developed into a residential street by Bill. Bill lived at 160 Oaklands Park Court, the home he built there in 1959. In the Fairwood Acres survey on North Shore Boulevard, Bill named the streets after his children: Daryl, David, Lynn and Lee. Bill’s wife Mary died in 2000; he later married Louise Oates. He died in Burlington on 12 May 2005 at the age of 74.

Alan Querney was born November 3, 1929 in Toronto, to parents Ernest & Marjorie Querney. After growing up in Sudbury, Querney graduated from the University of Western Ontario in 1954 with an Honors degree in Business Administration. In 1957, he became a Chartered Accountant and in November of that same year, Querney began working in the lumber industry at WB Plaunt & Son Limited/Austin Lumber (Dalton) Limited. Querney married Shirley Richmond in London, Ontario in 1954. They had four children, Tom (b. 1958), John (b. 1960), Susan (b. 1964), and William [Bill] (b. 1967). In 1972, Bill Muirhead, a family friend, sold his family's business (Muirhead Stationers Limited) to Querney. After Alan Querney's sons graduated university, they became co-owners of the business as well.

Alan Querney was very active in the community. Querney was a member of the Laurentian University Board (Chairman, 1987-1990), the Board of Regents at Huntington College (Chairman), the Sudbury and District Chamber of Commerce, the Sudbury and District Chartered Accountants Association, the Sudbury Algoma Sanitarium (Secretary-Treasurer), the Sudbury and District Hospital Council (Chairman), Idylwylde Golf and Country Club (President), the Ontario Lumber Manufacturer's Association, St. Andrew's United Church Council and Finance Committee, and a member of the Board and Treasurer of St. Andrew's Place Inc. Querney received numerous awards in the community including becoming an Honourary Fellow of Huntington University (1977), receiving an Honourary degree of Doctor of Sacred Letters from Huntington University (1982), elected a Fellow of the Institute of Chartered Accountants of Ontario (FCA, 1985), awarded the Commemorative Medal for the 125th Anniversary of the Confederation of Canada (circa 1992), receiving an Honourary Degree of Doctor of Business Administration from Laurentian University (1996), received the President's Award from the Sudbury and District Chamber of Commerce (along with his sons, 1998), and elected a Life Member of the Institute of Chartered Accountants of Ontario (1999). He was also recognized as a Paul Harris Fellow by the Rotary Club of Sudbury in 2000 for charitable contributions. Alan Querney retired around 2002 and Tom Querney became President of Muirheads.

The Querney family first came to Sudbury, Ontario in 1937 from Toronto, Ontario due to Ernest T. Querney's new position as Manager of the Northern Electric Company Limited. Ernest & Marjorie Querney's son Alan Querney was born November 3, 1929 in Toronto.

In 1972, Bill Muirhead, a family friend, sold his family's business (Muirhead Stationers Limited) to Alan Querney. After Alan Querney's sons graduated university, they became co-owners of the business as well. Tom Querney (trained in economics, Chartered Accountant) became the general manager, Bill Querney (McMaster, Commerce Degree) the furniture warehouse manager, and John Querney (Laurentian, Commerce Degree) the sales manager of the office furniture section. Alan Querney retired around 2002 and Tom Querney became President of Muirheads.

In May 2005, the Querney family sold Muirheads to Grand & Toy, an OfficeMax company. They became the largest commercial office products company in Northern Ontario.

In 2009, John and Bill Querney decided to leave Grand & Toy and start their own office supply business. Querney's Office Plus opened to the public at 67 Elm Street (right beside the former location of Muirheads), Sudbury, Ontario on July 19, 2010 with the grand opening celebration on October 21, 2010.

Robert Baden-Powell's book, Scouting for Boys, was first published in England in 1908. Shortly after, Scouts began forming all over Canada. In 1910, a Dominion Council was established and Governor General Earl Grey accepted the position of Chief Scout for Canada. The Boy Scouts Association was incorporated in the United Kingdom two years later. In June 1914, a Canadian branch of that organization - The Canadian General Council of the Boy Scouts Association - was incorporated. In 1920, the International Conference, to which all recognized Boy Scout associations belonged, was formed.

The first recorded date for the Our Lady of Mercy Boy Scout Association in Coniston, Ontario was 1948. The first entry in their Minute Book begins with the last meeting of the year in 1948 so there most likely was another Minute Book created before this, possibly for years prior to this date, and lost. Prior to their formation, there was already a Coniston Boy Scout Association. The first troop was affiliated with the Anglican Church and this, the second troop, was formed to be affiliated with the Catholic Church (the french speaking boys attended Our Lady of Mercy Church while the english speaking boys attended St. Paul's Church). Both troops existed at the same time in Coniston during the entire life of the Our Lady of Mercy Boy Scout Association and frequently participated in events and fundraising together. The Our Lady of Mercy Boy Scout Association Board held their meetings in the basement of the Separate School in Coniston every month. Troop meetings tended to take place on Tuesday nights at 7pm but they would have events on other days. Activities of the troop included camping, hiking, first aid training, hockey, watching National Film Board movies, and father son banquets. They were funded with Apple Day sales, Christmas Card sales, and various other fundraising activities.

During the summer of 1953, the Our Lady of Mercy Boy Scout Association won the 'All Over' trophy at summer camp, signifying that they were the best cub pack from the Sudbury District attending the camp. In 1955, three Scouters resigned; one to attend school out of town and the other two, who were the Cub Masters Mr. & Mrs. Gobbo [Art Gobbo & Evelyn Gobbo]. In September 1956, the 1st Coniston Troop approached the 2nd Troop with the proposition of forming one group for Coniston. Bishop Dignan gave permission for boys from the 1st Troop to join, provided the 2nd Troop had control of the troop. During 1956 and 1957, the troop had difficulties recruiting Cub Masters who had the time to volunteer and the group folded by 1958 with the remainder of their bank balance being donated to the 1st Coniston Group Committee on November 12, 1962.

Presidents (Chairmen)
Edward J. Orendorff 1948 - 1952, May 1953 -after 1957 (also principal of Coniston Continuation School)
O. Paradis 1952 - 1953
G. Maher January - May 1953

Chaplains for Troop
Father Fortin 1948 - 1951
Father Lafontaine 1953
Father Proulx 1956 - 195?

The Soroptimist Club was formed in Oakland, California in 1921 for women who hold executive status in business, government or a profession. Membership was by invitation only and was limited to women with careers outside of the home. The aim of the Soroptimist Club was to provide service to the community, usually through fundraising and donations, to promote the advancement of women in business and to maintain high ethical standards in professional life.

The Soroptimist Club of the Sudbury Nickel District was chartered on January 29, 1949. It was founded by Margaret Kerr of Montreal. Elizabeth Soutar (Bess Soutar), head of the local Victorian Order of Nurses (V.O.N.), was the first President of the Sudbury Nickel District chapter. The club met twice monthly, on the second and fourth Mondays, the first only for business and the second to have a dinner meeting followed by business and/or a speaker. These early meetings were held mainly at Cassio's Motor Hotel or in members' homes.

During it's life, the Soroptimist Club sponsored many community projects, including providing a monthly allowance for three years to a nurse in training; Christmas dinners to elderly members of the community; sponsoring the Soutar Senior Citizen's Club; sending underprivileged children to summer camp; giving a clothing allowance to a secondary school student, which allowed her to graduate; providing rent for underprivileged college students during the summer months; donating $500 to the Centennial Project for trees in Bell Park; giving a donation of $1000 so a room could be refurnished at the Y.W.C.A. and putting on concerts.

The club celebrated their 25th Anniversary with dinner at Cassio's Motor Hotel in the Venetian Room on June 8, 1974. However, membership and participation in the club was declining. By 1975 meetings dwindled and only seven or eight women were taking an active interest, so in 1976 the club's activities came to an end after 27 years.

Club Presidents:
Bess Soutor 1949-1950
Kay Elliott 1950-1950
Allegra Walker 1951-1952
Eleanor Hambley 1952-1954
Lempi Johnson 1954-1955
Grace Wigg 1955-1957
Thelma Paulson 1957-1959
Ursala Black 1959-1961
Margaret Blue 1961-1962
Mary Brown 1962-1964
Florence Tomlinson 1964-1966
Myrtle Kennedy 1966-1969
Editha McLellan 1969-1970
Mary Brown 1970-1972
Myrtle Kennedy 1972-1974

The Canadian Bank of Commerce was first established on May 15, 1867 in Toronto, Ontario. Through amalgamations with regional banks, it grew to include branches across the country. With additional acquisitions in the 1920's, the bank became one of the strongest branch networks in Canada with well over 700 locations by 1929.

In 1936 the Canadian Bank of Commerce was the first bank in Canada to establish a personal loans department. At first, the bank would only issue loans, for a maximum of $1,000, in the Toronto and Hamilton areas. After the success of this pilot project, loans were extended to Canadians across the country.

During the second world war, the Canadian Bank of Commerce, along with other banks across Canada, assisted the government with the implementation of Victory Loans and War Ration coupons. The Victory Loan campaigns raised around $12 billion for the war effort, with almost three million Canadians buying war loan bonds. With the war ration coupons, banks became responsible for the accounting of food ration coupons in March, 1943 and gasoline ration coupons in April, 1944. The federal government first introduced ration coupons in April, 1942 for gasoline (until Aug 1945) and for certain food products in June, 1942 as a way of insuring equitable distribution of these supplies because of an acute shortage during the war. (Sugar - June 1942-1947, tea - 1942-Sept 1944, coffee - 1942-Sept 1944, butter - Dec 1942 -June 1947, meat - May 1943-March 1947, preserves - Dec 1943-1947, and in some areas evaporated milk - Dec 1943-1947.) After the initial year, the government decided banks in Canada were in a better position to handle the accounting aspect of the ration coupons and the banks agreed, provided they were able to limit the amount of paperwork involved. Dealers such as jobbers and brokers, wholesalers, creamery and cheese factories, importers of tea and coffee, retailers whose normal monthly gross sales in food exceeded $5,000, as well as businesses which served meals including the rationed goods, such as hotels, restaurants, and hospitals, were required to conduct ration bank accounts. With the ration bank accounts, these dealers and food server businesses would deposit and withdraw ration stamps in the same manner as financial accounts. Each ration product required a separate account for these businesses. When ration supplies were needed, a business would simply write a cheque in the amount of the ration stamps required from their specific product ration account. In turn, when customers purchased a rationed product, they would hand the business the required number of stamps and they would then deposit them into the specific ration accounts for their next purchase from their suppliers (both the businesses and the public were still required to pay cash for their rationed products along with the ration stamps.)

After the war, the Canadian Bank of Commerce increased their holdings to include branches in newly created suburbs and in 1954, along with the rest of the banks in Canada, began to offer mortgages for newly constructed homes. Prior to this time, all banks were barred from the mortgage business since 1871, leaving life insurance companies to offer the majority of mortgages to the public.

On June 1st 1961, the Canadian Imperial Bank of Commerce was formed through the merger of The Canadian Bank of Commerce and the Imperial Bank of Canada. The merger occurred due to both banks growth in the resource industry. The Imperial Bank of Canada was unable to keep up with the increasing needs of its resource industry clients and in an attempt to meet these needs and to ward off a possible buyout by a foreign bank, a new, larger bank was formed by the merger.

The Sudbury Branch of the Bank of Commerce first opened on June 22, 1929. Located on the corner of Elm and Elgin in the former Sterling Bank of Canada building, this bank became the eighth to locate to Sudbury (The Sterling Bank of Canada 1905-1924, opened January 30, 1909 in Sudbury. This bank merged with the Standard Bank of Canada in 1924 and the Standard Bank of Canada merged with the Canadian Bank of Commerce in 1928). The Town of Sudbury Building Permits record a H.R. Sheldon for Sterling Bank applying for a building permit on July 1, 1918 for 151 Elm Street. The building material included 80,000 bricks, 1,100 yards plastering, 1,000 cubic feet stone work, and 2,900 cubic feet concrete. This branch served as the main office in Sudbury until a larger branch was opened at the corner of Cedar and Lisgar Streets. As the Canadian Imperial Bank of Commerce, the Elm and Elgin branch merged with the Cedar Street branch on October 24, 1997, leaving the Elm and Elgin Street location vacant.

A. (Alfred) Richard King first came to the territory in 1939 when he was attempting to establish a new bush airline in Alaska and the Yukon Territory. Unfortunately, King and his two partners lost their plane and equipment when they crashed in Teslin Lake while on their way to Alaska from the United States. They were rescued by residents of the First Nation village of Teslin, the only community on the lake. King returned to the states after spending 6 weeks in Teslin. After the war King graduated from Western Washington College and became an elementary school teacher in Washington. In 1949 he went to Saipan and taught for a year and then remained in the Trust Territory of the Pacific (Islands) for the next five years teaching and administering the development of the native elementary schools in the islands. He continued to develop his interest in applied anthropology and its relevance to educational administration and educational assistance programs. In 1964 he was granted a PhD degree at Stanford, his major fields of study were education and cultural anthropology. In 1963-1964 King spent a year as a fourth-grade teacher and participant-observer at Chooutla (Carcross) Residential School in Carcross, Yukon and this resulted in his doctoral dissertation. In 1967 he published "The School at Mopass: a problem of identity" which was based on his thesis. In 2005 he was living in Brentwood Bay, B.C. with his son Peter and grandsons. Dr. King died August 14, 2005.

The Department of Radiology of Women's College Hospital was established in 1920 under the hospital's first radiologist Dr. Elizabeth L. Stewart (1920-1954). Following Dr. Stewart, Dr. Elizabeth Forbes (1955-1975) was appointed the next Radiologist-in-Chief in 1955 and was followed by Dr. Terrance P. Connor (1975-1988), Dr. Eve Fishnell (1988-1996) and Dr. Katherine Fong (1997-1999). In 1990 the Department of Radiology was expanded to include a newly formed Division of Nuclear Medicine. In 1995 the department was renamed the Department of Medical Imaging and was reorganized to include a Division of Radiology & Ultrasound. In 2006, Dr. Alan Moody was appointed Radiologist-in-Chief of the Department of Medical Imaging.

In 1920 Women’s College Hospital established the Department of Laboratories and Dr. Vivian Marvin Laughlen (1920-1945) was appointed Chief of Laboratories. In 1945 Dr. Laughlen was followed by Dr. Eva Mader MacDonald (1945-1952); Dr. Alice Gray (1952-1980) and Dr. Ali H. Qizilbash (1980-1981). In 1981 the Department of Laboratories was divided into 2 new departments: the Department of Clinical Laboratories and the Department of Pathology. Dr. Kathleen Givan (1981-1992) was appointed Chief of Clinical Laboratories and was followed by Dr. Mary Vearncombe (1993-1999). In 1999 the name of the department was changed to the Department of Microbiology and Dr. Andrew Simor (1999- ) was named Chief of Microbiology.

The Department of Psychiatry at Women's College Hospital was established in 1961 under Dr. Lois Plumb (1961-1973), Chief of Psychiatry. Prior to its establishment, the hospital retained a psychiatrist on staff through the Department of Medicine during the 1950s. Following Dr. Plumb, Dr. A.G. Swayze (1973-1974) was appointed Acting Chief of Psychiatry in 1973 and was followed by Dr. G. Anthony Ives (1974-1984), Dr. Howard E. Book (1984-1995), Dr. Peter Nynkowski (1996), Dr. Barbara Dorian (1997-1999) and Dr. Anthony Levitt (2006- ).

The Department of Surgery at Women's College Hospital was established in 1915 under the leadership Dr. Minerva Reid (1915-1926), Chief of Surgery. By 1920, the department was performing approximately 500 operations per year. The Department was next headed by the following Surgeons-in-Chiefs: Dr. Edna Guest (1926-1931); Dr. Kathleen Bartley (1931-1946); Dr. Jessie Gray (1946-1964); Dr. Marjorie Davis (1965-1976); Dr. Robert D. Henderson (1976-1988); Dr. Lavina Lickley (1988-1999). In 1999, Women's College Hospital amalgamated with Sunnybrook Health Sciences Centre and the Orthopedic and Arthritic Institute to form Sunnybrook & Women’s College Hospital. During this time period, Women’s College Campus continued to maintain a Chief of Surgery. On April 1, 2006, Women's College Hospital regained its independent governance and became Ontario’s first and only ambulatory care hospital. The Ambulatory Surgical Services Program at Women's College Hospital performs a variety of surgical procedures including general surgery, plastic surgery focusing on breast cancer & breast reconstruction and urological procedures under the leadership of Dr. John Semple, Chief of Surgery.

In 1946, under the Department of Medicine, Women's College Hospital established its first formal dermatology program, an outpatient clinic that was held twice a week. That year, Dr. Ricky Kanee Schachter was appointed Head of the newly formed Division of Dermatology. Under her leadership the program expanded to include the Phototherapy Education and Research Centre (PERC), launched in 1976. After Dr. Schachter's retirement in 1985 the Department operated under the leadership of the the following Heads of the Division of Dermatology: Dr. Colin Ramsay (1986-1990); Dr. Gary Sibbald (1991-1993) and Dr. Lynn From (1993-2000). In 1991 the Ricky Kanee Schachter Dermatology Centre was launched at Women's College Hospital. Today the Dermatology program is comprised of three main components:The Ricky Kanee Schachter Dermatology Centre; Dermatology Day Care and Wound-Healing Clinic and the Phototherapy Education and Research Centre (PERC).

The Division of Ophthalmology began at Women's College Hospital in the 1910s as a weekly eye clinic held in the Outpatient Department. In 1941, a Department of Ophthalmology was formally established with Dr. Mary Albertson (1941-1969) as its Chief. In the late 1950s the Department of Ophthalmology was re-established as a division of the Department of Surgery. Today, the Division of Ophthalmology is still active at Women's College Hospital.

The Department of Anaesthesia of Women's College Hospital was formally established in 1914 under Dr. Margaret McCallum-Johnston, a graduate of the Ontario Medical College for Women, predecessor to Women’s College Hospital. Dr. McCallum-Johnston (1914-1935) held the position of Chief of Anaesthesia until 1935 and was then followed by Dr. Hannah Reid (1926-1931) and Dr. Ellen Blatchford (1931-1956); Dr. Evelyn Bateman (1956-1972); Dr. Edith Rogoman (1972-1982); Dr. Bronwen Gates (1982-1988) and Dr. Jean Kronberg (1988- ). In 1969, the Department of Anaesthesia was officially affiliated with the University of Toronto. The Department remains one of Women's College Hospital's first and longest running medical departments.

The Department of Anatomic Pathology of Women's College Hospital was officially established in 2006. In 1920, pathology was part of the Department of Laboratories under Dr. Vivian Marvin Laughlen (1920-1945) as the Chief of Laboratories. Dr. Laughlen was followed by Dr. Eva Mader MacDonald (1945-1952); Dr. Alice Gray (1952-1980) and Dr. Ali H. Qizilbash (1980-1981). In 1981 the Department of Laboratories was divided into 2 new departments: the Department of Clinical Laboratories and the Department of Pathology. In 1981 Dr. Lynn From (1981-1992) was appointed Chief of Pathology, followed by Dr. Weded Hanna in 1992 (1992- ). In 2006 the Department of Pathology was divided into 2 new departments: Anatomic Pathology and Clinical Pathology.

The Department of Emergency Medicine of Women's College Hospital was officially established in 1981. Prior to the formation of the Department, patients received emergency care in the hospital’s Outpatient Department staffed by members of the Department of General Practice. In 1971, due to the high volume of emergency cases, Women's College Hospital established a separate Emergency Department under the leadership of Dr. Yvonne deBuda. In 1981 after review, the Emergency Department External Review Committee recommended that the existing Emergency Department fall under the direction of a distinct organizational entity staffed by full-time physicians and a Chief who would be a full-time member of the hospital's Medical Advisory Committee. In July 1981, the Department of Emergency Medicine was established under Dr. John W. Letts, Chief of Emergency Medicine (1981-1993). On April 30, 1987 the Urgent Care Centre officially opened, replacing the Emergency Department. In 1993 the Department of Emergency Medicine was dissolved.

The Department of Family and Community Medicine was established at Women’s College Hospital in 1956. The Department operates the Family Practice Health Centre, an ambulatory care unit. In 1964, Dr. Jean Davey, Chief of Medicine, introduced a family practice teaching unit within the Department of Family and Community Medicine to train family physicians. In 1956, Dr. Bette Stephenson (1956-1965) was appointed the Department's first Family-Physician-in-Chief. She was followed by Dr. Shanna Gimbert (1965-1969); Dr. Marjorie Swanson (1969-1972); Dr. Yvonne deBuda; Dr. Hollister King (1982-1992) and Dr. James Ruderman (1992- ). Today, the Department continues to operate the Family Practice Health Centre at Women's College Hospital which provides care for women and men of all age groups. It is one of the largest clinics in Ontario, providing more than 54,000 visits per year to patients.

James Gordon Nelson, (1932- ) was a professor at the University of Waterloo, in Waterloo, Ontario until his retirement in 1998. Nelson received his BA from McMaster University, his MA from Colorado, and his PhD from Johns Hopkins University. Before accepting a position with the University of Waterloo in 1975, Nelson held academic and administrative positions at the University of Calgary and the University of Western Ontario. He is an ecologist, a geographer, a planner, and a policy maker. James Gordon Nelson has been a member of the College of Fellows of the Royal Canadian Geographic Society, a committee member of the World Commission on Protected Areas of the International Union for Conservation of Nature and Natural Resources, a member of the National Executive Committee of the Canadian Parks and Wilderness, and Ontario's Representative on the National Board of Governors of Heritage Canada. He has received many awards, including the first Natural Heritage Award in 1978, the Canadian Association of Geographers Award for Scholarly Distinction in Geography in 1983, the Massey Medal for the Royal Canadian Geographic Society in 1983, a Certificate of Achievement from the Grand River Conservation Authority in 1994, and the 1994 Environment Award for the Regional Municipality of Waterloo.

Harley Anson Misener (1897-1972) was a genealogist in Ontario, researching the Misener family. Harley Misener was the seventh generation of Miseners whose first ancestors, Richard Misener and his wife Elizabeth, emigrated with their family from the Palatinate district of Germany to North America in 1720 and settled in New Jersey.

Theresa McClenaghan (1962-) is a Canadian lawyer. She has pursued public interest environmental law throughout her career, representing individuals, groups, and First Nations in environmental matters of local, regional, and national significance. McClenaghan obtained her LLB from the University of Western Ontario, an LLM from Osgood Hall Law School, York University, and a diploma in Environmental Health from McMaster University. She has been called to the bar of Manitoba and Ontario, and has practiced law in Kitchener, Paris, and Toronto, Ontario.