Fonds consists chiefly of correspondence received by Harold Murchison Tovell, Ruth Massey Tovell and Vincent Tovell, most notably from their friends the French artist Jacques Villon and his wife Gaby from 1928 to 1962. Other correspondence concerns the lending and donation of family artworks. Also included are catalogues for exhibitions of the works of Jacques Villon and his brother Raymond Duchamp-Villon as well as inventories and photographs of Tovell family artworks and furnishings. The fonds comprises ca. 83 items. Fonds is comprised of the following series: 1. Harold Murchison Tovell correspondence 2. Ruth Massey Tovell correspondence 3. Vincent Tovell correspondence 4. Jacques Villon exhibition correspondence 5. Jacques Villon exhibition catalogues 6. Tovell collection photographs 7. Tovell collection inventories

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

The fonds consists of correspondence, reports, minutes, and other materials relating to the administrative activities of the Society. It also contains photograph albums documenting the travels of the MPDSO to various European and North American destinations, 1987-1999. The fonds is divided into four series corresponding to each Presidential term of office, plus a series of photograph albums. Fonds is comprised of the following series: 1. Sidney Bregman files 2. Martin Kosoy files 3. Jack Markens files 4. Mary F. Williamson files 5. Photograph albums

Fonds consists of the personal and professional records of Greg Curnoe. It includes such textual documentation as writing files; correspondence; project files including grant applications, records of the National Gallery retrospective exhibition, and Curnoe’s published writings; notebooks and journals kept by the artist, including his cycling journals; and a number of bookworks. Visual material includes numerous sketchbooks and works on paper as well as extensive photographic documentation of Curnoe’s studio, social and professional activities, exhibitions, family life, and art work. Also included are printing blocks and rubber stamps used in Curnoe’s art making. The fonds contains audio and audiovisual material which records important events and ideas in Curnoe’s life. The fonds includes two pop culture collections relating closely to Curnoe’s art practice: his collection of buttons and his collection of regional pop bottles. Titles not in brackets follow Curnoe’s original folder names. Fonds is comprised of the following series: 1. Writings files 2. Correspondence files 3. Organization and project files 4. Publications files 5. Research and subject files 6. National Gallery of Canada retrospective exhibition records 7. Deeds/Abstracts and Deeds/Nations files 8. Grant applications 9. Financial records 10. Inventories of art works 11. Publicity material 12. Cycling journals 13. Notebooks and diaries 14. Sketchbooks 15. Bookworks 16. Printing plates 17. Rubber stamps 18. Buttons collection 19. Pop bottle collection 20. Works on paper 21. Ephemera / found objects 22. Photographs 23. Audio cassettes 24. Video recordings 25. Clothing and personal effects 26. Sheila Curnoe’s files 27. Published material

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Fonds consists of records relating to the life and work of the artist and author Charles William Jefferys. It includes the artist’s correspondence, notebooks, research materials and manuscripts of his written work. Also included in this fonds are the research materials compiled by Robert Stacey, the artist’s grandson, about all aspects of the life and work of Jefferys, including information on all Jefferys’ writings and art, articles and reviews published by and about Jefferys, as well as information about the artist’s personal life, professional activities and travels. Stacey also conducted research on the Jefferys family history. Fonds is comprised of the following series: Jefferys family genealogy compiled by Stacey Jefferys’ accounts and business records Jefferys’ associations and clubs records Jefferys’ personal records Jefferys’ correspondence Stacey’s research files on places and people associated with Jefferys Writings by Jefferys Writings on Jefferys Stacey’s research files on Jefferys’ illustrations “The Moon” files Stacey’s research files on Jefferys’ art Stacey’s notes on locations associated with Jefferys Stacey’s research files on owners of Jefferys’ art C.W. Jefferys Estate Archives contents Stacey’s research files on Jefferys’ exhibitions Jefferys’ notebooks Portraits of Jefferys and family Newspaper clippings collected by Jefferys and Stacey Jefferys’ photographs and clippings from Western Canada

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.

Fonds consists of correspondence, newspaper and magazine clippings, lecture notes, newsletters, cards and party invitations, exhibition catalogues, reproductions of art works, passport, certificates, and photographs relating to L.A.C. Panton’s personal and professional life. The photographs range from portraits of his family in England to scenes that provided the basis of paintings, particularly the Nova Scotia coastline. Correspondence relates to his involvement in art societies and his community in North Toronto but does not include his family life. Letters were received from several members of the Group of Seven, Florence Wyle, Arthur Heming, Fred Brigden, G.A. Reid and many others. Clipping files relate both to his professional life and his interest in economics and current events. The fonds arrived at the archives in no discernible order; order has been imposed by the archivist to correspond as much as possible to a file listing found in the fonds. Fonds is comprised of the following series: L.A.C. Panton’s file arrangement Other files Photographs

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

Fonds consists of the administrative files created by the Mercer Union gallery during the first twenty years of its existence, including photographs and slides, material printed for the gallery (catalogues, posters, invitations etc.), newspaper reviews, and a small number of video tapes, audio tapes and computer disks. Files remain in the order they were received; errors in filing have not been corrected. Fonds is comprised of the following series: Artist/exhibit files Board of Directors files Programming binders Curatorial files Promotional material

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

Fonds consists of photographs of Canadian artists and paintings, personal and professional correspondence of Newton MacTavish, manuscripts, offprints, illustrations, newspaper articles and reviews and other photographs. Included are correspondence and manuscripts of Kate Johnson MacTavish. Fonds is comprised of the following series: Correspondence Manuscripts Offprints Reviews Newspaper clippings Original illustrations Photographic studies Photographs of Canadian artists Photographs of paintings by Canadian artists Negatives Miscellaneous

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier

The collection consists of newspaper articles, reproductions, illustrations, exhibition notices and invitations, death notices, photographs and biographical notes on 112 Canadian artists (birthdates 1803 to 1915) and four arts organizations: Canadian Society of Painters in Water Colour, Ontario Society of Artists, Royal Canadian Academy of Arts, and Toronto Art Students’ League.

Fonds consists of administrative records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel. Fonds also contains the gallery’s published output, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included. Fonds is comprised of the following series: Artist files Gallery, dealer and associate files Art fair files Travel files Exhibition invitations and catalogues Posters Films Limited edition publications

The fonds consists of personal and professional correspondence, exhibition and projects files, exhibition catalogues, newspaper articles and reviews of Tim Zuck’s work, multimedia records including art related photographs, films, audio cassette tapes, conceptual art projects, exhibition notices, financial records, and publications. Fonds consists of the following series: Correspondence files Publicity material Exhibition and projects files Financial records Art college projects Art ephemera (other artists) Publications

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Fonds consists of the contents of an autograph album, primarily consisting of letters received by Goldwin Smith from various correspondents throughout North America and Europe. The fonds also includes a few intact pages of the album with autographs.

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

The fonds consists of sketches and preparatory works of art from throughout Frederick Hagan’s career, records of his teaching at the Ontario College of Art, personal correspondence, poetry by Hagan, photographs of the artist and his work, journals and record books, press clippings and representative wood-blocks used in printing. Fonds consists of the following series: Correspondence Exhibition files Exhibition notices and invitations Exploration of Canada stamps Letters to Isabelle Hagan Ontario College of Art files Photographs Poetry – loose Poetry books Posters Press clippings Record books Subject files Travel journals and notes Wood-blocks for Poems for Alice Works on paper