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Fonds consists of the records of the Division of Ophthalmology of Women's College Hospital from 1950-1978. Fonds contains minutes, annual reports and correspondence. Fonds is comprised of the following series: OPH-1 Annual reports of the Division of Ophthalmology OPH-2 Minutes of the Section of Ophthalmology OPH-3 Correspondence of the Division of Ophthalmology

Fonds consists of a review of the Department of Pathology conducted in 1991. Fonds is comprised of the following series: Department of Pathology 10 year-review. Included in the review are a number of newspaper clippings that provide accolades for a number of Doctors that held positions on the Board of Pathology.

Fonds consists of the records of the Department of Psychiatry of Women's College Hospital dating from 1989-1994. Fonds contains departmental reviews, a historical profile and an interim evaluation for the Brief Psychotherapy Centre for Women, a program developed by the department. Fonds is comprised of the following series: PSY-1 Department of Psychiatry reviews PSY-2 Brief Psychotherapy Centre for Women interim evaluation PSY-3 Department of Psychology historical profile

Fonds consists of the records of the Department of Surgery of Women's College Hospital dating from 1977-2001. Fonds consists of departmental annual reports, reviews, strategic planning reports, patient education pamphlets and electronic disks containing the general department files. Fonds is comprised of the following series: SUR-1 Department of Surgery annual reports SUR-2 Department of Surgery reviews SUR-3 Department of Surgery strategic plans SUR-4 Surgical patient education pamphlets SUR-5 Department of Surgery electronic general files SUR-6 Records of S&W Department of Surgery

The fonds consists of copy prints of photographs taken by Chooutla (Carcross) Residential School teacher A. Richard King of his students and their school life in and around Carcross, Yukon. Subjects include Mr. King, Principal Lawson, Vice-Principal Walters, supervisors Miss Fennell, Miss Barstow and Beverly Bear, the school, tobogganing, and games and activities during Winter Carnival Days and Sports Day. Also included are images of the Matthew Watson General Store and tourists waiting to board the White Pass and Yukon Route (WP&YR) train at the Carcross station. Many of the students in the photographs are identified including Helen Malcolm, Dorothy Johnnie, Judy Hager, Vivian Smith, Velma Silas, Ben Johnson, Nancy Tizya, Virginia Simon and Ann Smith.

The fonds consists of copies of four hand-written (and transcribed) letters Aaron Moulton wrote to his wife and children during the year he spent in the Yukon's Klondike from 1897-1898. Also included is a list of people mentioned in Aaron Moulton's letters.

The fonds consists of the administrative and race records of the Yukon Dog Mushers Association. There are four series: Correspondence; Minutes and By-laws; Financial Records; and Race Records.

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The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier

The fonds consists primarily of video recordings of interviews, meetings, seminars, performances, and local footage shot in Canada, the United Kingdom, the United States, East Timor and Indonesia. It consists of 178 video recordings including 97 beta tapes (large and small), 80 VHS tapes and a broadcast DVD and 6 audio recordings. Many of the video elements include both a beta and VHS copy. The fonds is divided into three series. The largest consists of beta and VHS tapes of raw footage and background research shot or collected by Briere from Canada, the United Kingdom, Indonesia and East Timor. This series also includes six audio recordings. There is a separate series of video recordings of lectures and interviews with Noam Chomsky regarding East Timor recorded during his visit to Vancouver in March 1996. The third series consists of beta masters of the finished documentary, including video in NTSC and PAL formats, and English, French and Swedish language versions. Much of the content of Bitter Paradise consists of interviews with Canadian and foreign individuals engaged in the events in East Timor, either as businessmen, bureaucrats or politicians working with the Indonesian government on trade and development projects in East Timor, or as activists, dissidents, and supporters of the liberation movements within the island nation. In Canada, interviews with Warren Allmand, David Kilgour and Svend Robinson (federal Members of Parliament), David Webster of the East Timor Alert Network, Geoffrey Robinson (Amnesty International, now UCLA History Department), portray the interests of those supporting the resistance, while Colin Baker (Simons Engineering), David Mundy (Kilbourn Engineering) and Ron Richardson (Asia Pacific Foundation) identify business and development opportunities in East Timor and Indonesia for Canadian companies. There are insights on East Timor supplied through interviews with local and international actors including Noam Chomsky, Carmel Budiardjo (an Indonesian dissident and founder of TAPOL) an Amnesty International prisoner of conscience, Constancio Pinto (former guerrilla fighter and currently Timor Leste Ambassador to Washington) and Muchtar Pakpahan, a labour leader jailed repeatedly in Indonesia who, in 2011, resigned as head of the Indonesian Labour Party. The documentary also includes live footage from international broadcasters (BBC, Australian Broadcasting Corp.) of the Dili Massacre (Santa Cruz Cemetery) in November 1991, when more than 260 protesters were killed by Indonesian troops. The broadcast filming of that event, first shown on ITV, UK in 1992, was pivotal in the campaign to bring western nations to apply pressure for independence, achieved a decade later. The fonds also contains archival film footage from the Portuguese era of East Timor, film on projects being undertaken in the country by the Roman Catholic Church, smuggled footage of the East Timorese resistance movement in countryside, footage of Indonesian troops being trained in Australia and of the Indonesian invasion of East Timor.

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Fonds consists of administrative records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel. Fonds also contains the gallery’s published output, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included. Fonds is comprised of the following series: Artist files Gallery, dealer and associate files Art fair files Travel files Exhibition invitations and catalogues Posters Films Limited edition publications

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

The fonds consists of personal and professional correspondence, exhibition and projects files, exhibition catalogues, newspaper articles and reviews of Tim Zuck’s work, multimedia records including art related photographs, films, audio cassette tapes, conceptual art projects, exhibition notices, financial records, and publications. Fonds consists of the following series: Correspondence files Publicity material Exhibition and projects files Financial records Art college projects Art ephemera (other artists) Publications

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

The fonds consists first, of papers of Frances Loring: correspondence (largely genealogical), lists of her works, a collection of short stories, articles, newspaper clippings, information about Loring’s father, Frank C. Loring, and two etching plates. Second, papers and other materials of Florence Wyle: poems, diaries, journals, articles, biographical information (including birth certificates, passport), lists (including prices and exhibitions) of her works, and various etching plates. The third part of the fonds comprises a collection of photographs of works by both artists. Lastly, the 1987 accrual to the fonds contains further biographical documentation and correspondence (relating to artworks, to the Loring and Wyle Trust Fund, to personal matters including finances, and to their estate) and an additional collection of photographs. Fonds consists of the following series: (Frances Loring) Lists of art works (Frances Loring) Biographical information Loring genealogy and historical background (Florence Wyle) Poems (Florence Wyle) Diaries, calendars and journals (Florence Wyle) Historical and biographical information (Florence Wyle) Price lists, exhibitions, catalogues, works (Florence Wyle) Articles/lectures (Florence Wyle) Miscellaneous Photographs (1983 donation) Loring & Wyle papers (1987 accrual) Loring & Wyle photographs (1987 accrual)

The collection consists of newspaper articles, reproductions, illustrations, exhibition notices and invitations, death notices, photographs and biographical notes on 112 Canadian artists (birthdates 1803 to 1915) and four arts organizations: Canadian Society of Painters in Water Colour, Ontario Society of Artists, Royal Canadian Academy of Arts, and Toronto Art Students’ League.

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

Fonds consists of Michael Snow’s correspondence with family, other artists, musicians, filmmakers, dealers and curators; sketchbooks, art portfolios and sound recordings of the artist’s work; photo-documentation and other materials related to his artworks, publications, music and films; financial and legal records; reviews and other writings about the artist; posters and promotional material from exhibitions. Fonds is comprised of the following series: Correspondence (1992 donation) Walking Woman projects Film projects (1992 donation) Music projects (1992 donation) Other artistic projects (1992 donation) Public commissions (1992 donation) Financial records (1992 donation) Legal records (1992 donation) Reviews Canadian Filmmakers Distribution Centre Publications Sketchbooks Early portfolios Correspondence (1996 donation) Film projects (1996 donation) Other artistic projects (1996 donation) Public commissions (1996 donation) Music projects (1996 donation) Book/writing projects Secondary writings/Writings on Snow Financial records (1996 donation) Legal records (1996 donation) Posters Mailers

Fonds consists of the administrative files created by the Mercer Union gallery during the first twenty years of its existence, including photographs and slides, material printed for the gallery (catalogues, posters, invitations etc.), newspaper reviews, and a small number of video tapes, audio tapes and computer disks. Files remain in the order they were received; errors in filing have not been corrected. Fonds is comprised of the following series: Artist/exhibit files Board of Directors files Programming binders Curatorial files Promotional material

The fonds consists of sketches and preparatory works of art from throughout Frederick Hagan’s career, records of his teaching at the Ontario College of Art, personal correspondence, poetry by Hagan, photographs of the artist and his work, journals and record books, press clippings and representative wood-blocks used in printing. Fonds consists of the following series: Correspondence Exhibition files Exhibition notices and invitations Exploration of Canada stamps Letters to Isabelle Hagan Ontario College of Art files Photographs Poetry – loose Poetry books Posters Press clippings Record books Subject files Travel journals and notes Wood-blocks for Poems for Alice Works on paper

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

Fonds consists of the contents of an autograph album, primarily consisting of letters received by Goldwin Smith from various correspondents throughout North America and Europe. The fonds also includes a few intact pages of the album with autographs.

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

The fonds consists of correspondence with art dealers, artists and public art institutions, invoices, shipping and customs forms and other documents relating to their involvement in the international art market in the mid-20th century. Carbon copies of letters written by the Zacks and letters written to them are included. The fonds also contains the administrative files kept by the Zacks: insurance lists, index cards for art and books, photographs and catalogues. The fonds includes the records of the Zacks’ involvement as board members in a variety of organizations relating to the arts, including agendas, memos, minutes of meetings, and travel arrangements. Correspondence files document the Zacks’ involvement in the State of Israel, through its cultural institutions, and communication with prominent citizens. Mrs. Zacks’ papers created after her husband’s death relate to her honourary degree, the Order of Canada, board activities and social involvement. Fonds is comprised of the following series: General correspondence Artist files Dealer files Public institution files Exhibition catalogues Photographs Administrative files Exhibitions of the collection Boards and committees Israel Personal

The fonds consists of textual materials and photographs. The textual material consists of a small number of original documents such as a hand-written letter from Mrs. Jane A. Whatmough to her daughter, Annie Louise Gallagher, dated 1904, wedding invitations and funeral a programme, as well as Gallagher and Whatmough family trees compiled by Howard Gallagher (1887-1997), a Whatmough Family History compiled by Janet (Whatmough) Cureton in 1974, and a 1932 yearbook of the Ontario Agricultural College and Macdonald Institute (Guelph). Included is a typescript, "Greenwood Farm", by Grant A. Whatmough, 1976 (225 pages). There are 80 photographs. Some had labels or inscriptions, others were identified with the assistance of Grant A. Whatmough or the Gallagher and Whatmough Family Trees. Fonds is comprised of the following series: Photographs Gordon Gallagher Gallagher family Grant Al Gallagher Family trees/yearbook