Affichage de 471 résultats

Fonds consists of the personal and professional records of Greg Curnoe. It includes such textual documentation as writing files; correspondence; project files including grant applications, records of the National Gallery retrospective exhibition, and Curnoe’s published writings; notebooks and journals kept by the artist, including his cycling journals; and a number of bookworks. Visual material includes numerous sketchbooks and works on paper as well as extensive photographic documentation of Curnoe’s studio, social and professional activities, exhibitions, family life, and art work. Also included are printing blocks and rubber stamps used in Curnoe’s art making. The fonds contains audio and audiovisual material which records important events and ideas in Curnoe’s life. The fonds includes two pop culture collections relating closely to Curnoe’s art practice: his collection of buttons and his collection of regional pop bottles. Titles not in brackets follow Curnoe’s original folder names. Fonds is comprised of the following series: 1. Writings files 2. Correspondence files 3. Organization and project files 4. Publications files 5. Research and subject files 6. National Gallery of Canada retrospective exhibition records 7. Deeds/Abstracts and Deeds/Nations files 8. Grant applications 9. Financial records 10. Inventories of art works 11. Publicity material 12. Cycling journals 13. Notebooks and diaries 14. Sketchbooks 15. Bookworks 16. Printing plates 17. Rubber stamps 18. Buttons collection 19. Pop bottle collection 20. Works on paper 21. Ephemera / found objects 22. Photographs 23. Audio cassettes 24. Video recordings 25. Clothing and personal effects 26. Sheila Curnoe’s files 27. Published material

The fonds consists of correspondence, reports, minutes, and other materials relating to the administrative activities of the Society. It also contains photograph albums documenting the travels of the MPDSO to various European and North American destinations, 1987-1999. The fonds is divided into four series corresponding to each Presidential term of office, plus a series of photograph albums. Fonds is comprised of the following series: 1. Sidney Bregman files 2. Martin Kosoy files 3. Jack Markens files 4. Mary F. Williamson files 5. Photograph albums

Fonds consists of material documenting Gallery 44 Centre for Contemporary Photography as a gallery and provider of educational programming and facilities to support photographic artists, including photographs, slides, exhibition invitations, exhibition catalogues, posters, newspaper clippings and notebooks.
Contains series:

1. Exhibition publicity
2. Board of Director files
3. Financial records
4. Grant applications
5. Administration files

Fonds consists chiefly of correspondence received by Harold Murchison Tovell, Ruth Massey Tovell and Vincent Tovell, most notably from their friends the French artist Jacques Villon and his wife Gaby from 1928 to 1962. Other correspondence concerns the lending and donation of family artworks. Also included are catalogues for exhibitions of the works of Jacques Villon and his brother Raymond Duchamp-Villon as well as inventories and photographs of Tovell family artworks and furnishings. The fonds comprises ca. 83 items. Fonds is comprised of the following series: 1. Harold Murchison Tovell correspondence 2. Ruth Massey Tovell correspondence 3. Vincent Tovell correspondence 4. Jacques Villon exhibition correspondence 5. Jacques Villon exhibition catalogues 6. Tovell collection photographs 7. Tovell collection inventories

Fonds consists of the personal and professional records of Robert Markle, including his correspondence; drafts and published versions of his writings and illustrations; files on various projects, exhibitions, and teaching activities; photographs (both fine art and documentary); and preparatory art works in several media. Fonds is comprised of the following series: 1. Correspondence files 2. Writing files 3. Projects, proposals and other business files 4. Source material 5. Exhibition files 6. Arts’ Sake files 7. Income tax records 8. Published writings and illustrations 9. Publicity material and press clippings 10. Exhibition catalogues 11. Other published material 12. Sketchbooks 13. Works on paper 14. Printing plates 15. Posters and reproductions 16. Three-dimensional works 17. Costume and textile items 18. Audio-visual material 19. Photographs 20. Works by other artists 21. Marlene Markle 22. Personal items 23. Memorial

The collection consists of research material gathered by Judith Rodger in the course of her work on the catalogue for the Art Gallery of Ontario exhibition Greg Curnoe: Life and Stuff. Collection includes audio recordings of Curnoe, published articles, photographs, ephemera, and eulogies for Curnoe. Sources for individual items include Jack Behrens, Glen Curnoe, Tony McAulay, and Brenda Wallace.

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.

Collection consists of correspondence between Avis Lang Rosenberg and Jack Chambers over a three-year period, slides created for the proposed book, transcriptions of taped interviews, contents of a notebook, poetry and prose written by Chambers, research notes, Lang’s writings on Chambers, exhibition catalogues and a private press publication containing illustrations by Chambers. Much of the material is present in photocopied form. File titles were assigned by Avis Lang, except where square brackets are used. The collection is arranged in a single series.

Fonds consists of a notebook commenced by Anna Belle Wing Kindlund in 1895, in which she recorded information on works of art and architectural monuments (chiefly European), with thumbnail-sized albumen prints of many of the items and occasional ink sketches. The notebook has alphabetical index tabs, and its entries are alphabetical according to city. The inscription on the frontispiece reads “Anna Belle Wing – B.S. ‘95”. The fonds is arranged in a single series.

Fonds consists of the administrative records of Galerie Scollard and Factory 77 accumulated by Kenneth Lund. Also includes records kept by Lund related to his involvement with arts organizations and Eastern Canada artists and galleries. Fonds is comprised of the following series: 1. Galerie Scollard/Factory 77 records 2. Kenneth Lund’s files

Fonds consists of a household inventory of antique furniture, china, art, coins, military artifacts, geological and natural history specimens, rare books and family documents owned by Robert William Geary and family of Niagara Falls, Ontario. The inventory was commenced by Geary on January 24, 1913 and annotated by him until 1933.

Fonds consists of nine notebooks kept by Kathleen Munn as a student at the Art Student’s League in New York City and at the Summer program in Woodstock, NY. The books contain a meticulous record of her exposure to ideas about artistic theory, philosophy and art history. Undated drawings, prints and unbound notes are also included, and a group of ‘arts-and-crafts’ inspired decorative designs. The fonds contains more than 1800 pencil drawings executed as studies for her mature work on the subject of the Christian Passion. Photographs of eight of these completed drawings are included. Fonds is comprised of the following series: 1. Notebooks 2. Life drawings and studies 3. Studies for ‘The Passion’

The collection consists of 45 architectural drawings in ink and wash, comprising elevations and details of major Italian and German churches, probably drawn as student projects.

Fonds consists of printed and manuscript material accumulated by John Faichney during his years as an artist involved in the KAA/CEAC collective. Publications originating with CEAC, issues of Canadian and international periodicals, posters, samples of letterhead, exhibition catalogues, the original typed manuscript of an international symposium, and book materials are included. Fonds is comprised of the following series: 1. Kensington Art Association and CEAC 2. Periodicals and books

Fonds consists of records relating to the life and work of Florence Vale. Textual materials include correspondence, records of exhibitions, and documentation of her artwork. Visual materials include photographic documentation of the artist, her family, friends, and her work; drawings, etchings, rugs, and box construction art pieces and dolls. Also includes are media materials in the form of audio reels and a videocassette.
Contains series:

1. Documentation of Artwork
2. Publicity Materials
3. Correspondence
4. Photographs
5. Drawings and Etchings
6. Poems by Florence Vale and Others
7. Artist’s bookworks
8. Audio reels of the singing and poetry readings of Florence Vale
9. Video Documentary on Florence Vale
10. Dolls and Box Constructions
11. Rugs

Fonds consists of drawings, watercolours and designs of A. H. Howard produced in Toronto between 1880 and 1914, especially in the sketchbooks in which Howard drew Ontario landscapes and towns, flowers, trees, human figures, factory interiors and other subjects. Similar drawings and watercolours are contained in two albums and a portfolio. Also included are examples of his decorative and calligraphic work from illuminated presentation addresses, certificates, bookplates and other materials.
Contains series:

1. Portfolio and albums
2. Sketchbooks
3. Decorative designs and drawings

Collection consists of photographs of Jack and Olga Chambers by Shieky Brownstone. Collection has been arranged in a single series.

Fonds consists of the personal and professional records of David Brown Milne, including correspondence with friends, patrons, family and his dealer; diaries and similar writing; documentation of Milne’s military service; designs for Canadian flags; cancelled watercolours; sketches and sketchbooks.
Contains series:

1. Correspondence sent by David Milne, including drafts of letters
2. Correspondence received by David Milne
3. Diaries and other writings by David Milne
4. World War I documents
5. Douglas Duncan and Picture Loan Society documents
6. Maps of potential painting locations
7. Publicity material
8. Documents relating to Vera Parsons and 1963 court case
9. Canadian flag drawings and designs for Studio Magazine cover
10. Cancelled watercolours
11. Baptiste Lake sketchbooks
12. Personal effects
13. Sketches

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.

Collection consists of posters designed by Will Munro for events organized by him at various venues in downtown Toronto. Posters employ a variety of media and processes, including silkscreen and photocopies. Some of these posters were featured in Will Munro: Total Eclipse, July 31 – September 26, 2010, part of the Toronto Now series of exhibitions at the AGO. Silk-screening of many of the posters was carried out by Michael Comeau.
Contains series:

1. Vaseline / Vazaleen / Vazoween posters
2. Peroxide posters
3. Moustache posters
4. 7th Heaven posters
5. Miserable Mondays posters
6. NO T.O. posters
7. Posters for various events at The Beaver Restaurant

Fonds consists of the records of the Department of Anaesthesia of Women's College Hospital from ca. 1920-2003. Fonds contains minutes, annual reports, departmental reviews, journal articles, instructional manuals, reports, correspondence, research data, and medical equipment. Fonds is comprised of the following series:
ANA-1 Departmental meeting minutes
ANA-2 Annual reports and reviews
ANA-3 Records of medical rounds
ANA-4 Journal articles
ANA-5 Historical profile
ANA-6 Department council minutes
ANA-7 Research data
ANA-8 Obstetrical anaesthesia equipment
ANA-9 Anaesthesia textbooks

Fonds consists of the records of the Division of Dermatology of Women's College Hospital dating from 1972-2001 and primarily contains material related to the establishment of the Phototherapy Education and Research Centre (PERC), the Program for Occupational Skin Health (POSH), and the Ricky Kanee Schachter Dermatology Centre. Fonds contains proposals, application forms, reports, correspondence, budget information, program brochures, vhs video cassette tapes, and newspaper clippings. Fonds is comprised of the following series: DER-1 Records of the Phototherapy Education and Research Centre (PERC) DER-2 Records of the Program for Occupational Skin Health (POSH) DER-3 Records of the Dr. Ricky Kanee Schachter Dermatology Centre

Fonds contains the records of the Department of Emergency Medicine of Women's College Hospital from 1978 to 1992. Fonds consists of minutes, reports, departmental manuals, correspondence, reports and a departmental review. Records document the development of the Department of Emergency Medicine and the transition from an Emergency Department to an Urgent Care Centre. Fonds is comprised of the following series: EME-1 Records of the Ad Hoc Emergency Committee EME-2 Records of the Emergency Department External Review Committee EME-3 Department of Emergency Medicine 10-year review EME-4 Department of Emergency Medicine manuals

Fonds consists of the records of the Department of Family and Community Medicine of Women's College Hospital dating from 1976-1999. Fonds consists of minutes, departmental memos, strategic planning reports, an orientation manual and patient education pamphlets. Fonds is comprised of the following series: FAM-1 Planning sub-committee minutes FAM-2 Business meeting minutes FAM-3 Long range planning reports FAM-4 Obstetrical services orientation material FAM-5 Family Practice Health Centre patient information pamphlets

Fonds consists of the records of the Department of Medical Imaging dating from 1950-1996. Fonds includes records created by the department's predecessors; the Department of Radiology and the Division of Nuclear Medicine. Fonds contains minutes, annual reports, departmental reviews, reports and correspondence. Fonds is comprised of the following series: IMG-1 Department of Radiology annual reports IMG-2 Reviews of the Department of Medical Imaging IMG-3 Department of Radiology staff meeting minutes IMG-4 Department of Radiology correspondence IMG-5 Minutes of the Radiology Liaison Committee IMG-6 Department of Radiology - Division of Ultrasound - Proposal for expanded program IMG-7 Department of Radiology historical profile

Fonds consists of the records of the Department of Microbiology of Women's College Hospital from 1926-1937, 1966-1978, 1995, formerly the Department of Laboratories and the Department of Clinical Laboratories. Fonds contains minutes, annual reports, lab results, employee time sheets and departmental strategic planning reports. Fonds is comprised of the following series: MIC-1 Blood chemistry registers MIC-2 Surgical pathology registers MIC-3 Employee time sheets MIC-4 Laboratory staff meeting minutes MIC-5 Annual reports of the Department of Laboratories MIC-6 Diagnostic services strategic plans

Fonds consists of the records of the Division of Ophthalmology of Women's College Hospital from 1950-1978. Fonds contains minutes, annual reports and correspondence. Fonds is comprised of the following series: OPH-1 Annual reports of the Division of Ophthalmology OPH-2 Minutes of the Section of Ophthalmology OPH-3 Correspondence of the Division of Ophthalmology

Fonds consists of a review of the Department of Pathology conducted in 1991. Fonds is comprised of the following series: Department of Pathology 10 year-review. Included in the review are a number of newspaper clippings that provide accolades for a number of Doctors that held positions on the Board of Pathology.

Fonds consists of the records of the Department of Psychiatry of Women's College Hospital dating from 1989-1994. Fonds contains departmental reviews, a historical profile and an interim evaluation for the Brief Psychotherapy Centre for Women, a program developed by the department. Fonds is comprised of the following series: PSY-1 Department of Psychiatry reviews PSY-2 Brief Psychotherapy Centre for Women interim evaluation PSY-3 Department of Psychology historical profile

Fonds consists of the records of the Department of Surgery of Women's College Hospital dating from 1977-2001. Fonds consists of departmental annual reports, reviews, strategic planning reports, patient education pamphlets and electronic disks containing the general department files. Fonds is comprised of the following series: SUR-1 Department of Surgery annual reports SUR-2 Department of Surgery reviews SUR-3 Department of Surgery strategic plans SUR-4 Surgical patient education pamphlets SUR-5 Department of Surgery electronic general files SUR-6 Records of S&W Department of Surgery

The fonds consists of copy prints of photographs taken by Chooutla (Carcross) Residential School teacher A. Richard King of his students and their school life in and around Carcross, Yukon. Subjects include Mr. King, Principal Lawson, Vice-Principal Walters, supervisors Miss Fennell, Miss Barstow and Beverly Bear, the school, tobogganing, and games and activities during Winter Carnival Days and Sports Day. Also included are images of the Matthew Watson General Store and tourists waiting to board the White Pass and Yukon Route (WP&YR) train at the Carcross station. Many of the students in the photographs are identified including Helen Malcolm, Dorothy Johnnie, Judy Hager, Vivian Smith, Velma Silas, Ben Johnson, Nancy Tizya, Virginia Simon and Ann Smith.

The fonds consists of copies of four hand-written (and transcribed) letters Aaron Moulton wrote to his wife and children during the year he spent in the Yukon's Klondike from 1897-1898. Also included is a list of people mentioned in Aaron Moulton's letters.

The fonds consists of the administrative and race records of the Yukon Dog Mushers Association. There are four series: Correspondence; Minutes and By-laws; Financial Records; and Race Records.

test-scope-and-content

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier

The fonds consists primarily of video recordings of interviews, meetings, seminars, performances, and local footage shot in Canada, the United Kingdom, the United States, East Timor and Indonesia. It consists of 178 video recordings including 97 beta tapes (large and small), 80 VHS tapes and a broadcast DVD and 6 audio recordings. Many of the video elements include both a beta and VHS copy. The fonds is divided into three series. The largest consists of beta and VHS tapes of raw footage and background research shot or collected by Briere from Canada, the United Kingdom, Indonesia and East Timor. This series also includes six audio recordings. There is a separate series of video recordings of lectures and interviews with Noam Chomsky regarding East Timor recorded during his visit to Vancouver in March 1996. The third series consists of beta masters of the finished documentary, including video in NTSC and PAL formats, and English, French and Swedish language versions. Much of the content of Bitter Paradise consists of interviews with Canadian and foreign individuals engaged in the events in East Timor, either as businessmen, bureaucrats or politicians working with the Indonesian government on trade and development projects in East Timor, or as activists, dissidents, and supporters of the liberation movements within the island nation. In Canada, interviews with Warren Allmand, David Kilgour and Svend Robinson (federal Members of Parliament), David Webster of the East Timor Alert Network, Geoffrey Robinson (Amnesty International, now UCLA History Department), portray the interests of those supporting the resistance, while Colin Baker (Simons Engineering), David Mundy (Kilbourn Engineering) and Ron Richardson (Asia Pacific Foundation) identify business and development opportunities in East Timor and Indonesia for Canadian companies. There are insights on East Timor supplied through interviews with local and international actors including Noam Chomsky, Carmel Budiardjo (an Indonesian dissident and founder of TAPOL) an Amnesty International prisoner of conscience, Constancio Pinto (former guerrilla fighter and currently Timor Leste Ambassador to Washington) and Muchtar Pakpahan, a labour leader jailed repeatedly in Indonesia who, in 2011, resigned as head of the Indonesian Labour Party. The documentary also includes live footage from international broadcasters (BBC, Australian Broadcasting Corp.) of the Dili Massacre (Santa Cruz Cemetery) in November 1991, when more than 260 protesters were killed by Indonesian troops. The broadcast filming of that event, first shown on ITV, UK in 1992, was pivotal in the campaign to bring western nations to apply pressure for independence, achieved a decade later. The fonds also contains archival film footage from the Portuguese era of East Timor, film on projects being undertaken in the country by the Roman Catholic Church, smuggled footage of the East Timorese resistance movement in countryside, footage of Indonesian troops being trained in Australia and of the Indonesian invasion of East Timor.

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Fonds consists of administrative records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel. Fonds also contains the gallery’s published output, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included. Fonds is comprised of the following series: Artist files Gallery, dealer and associate files Art fair files Travel files Exhibition invitations and catalogues Posters Films Limited edition publications

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

The fonds consists of personal and professional correspondence, exhibition and projects files, exhibition catalogues, newspaper articles and reviews of Tim Zuck’s work, multimedia records including art related photographs, films, audio cassette tapes, conceptual art projects, exhibition notices, financial records, and publications. Fonds consists of the following series: Correspondence files Publicity material Exhibition and projects files Financial records Art college projects Art ephemera (other artists) Publications

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

The fonds consists first, of papers of Frances Loring: correspondence (largely genealogical), lists of her works, a collection of short stories, articles, newspaper clippings, information about Loring’s father, Frank C. Loring, and two etching plates. Second, papers and other materials of Florence Wyle: poems, diaries, journals, articles, biographical information (including birth certificates, passport), lists (including prices and exhibitions) of her works, and various etching plates. The third part of the fonds comprises a collection of photographs of works by both artists. Lastly, the 1987 accrual to the fonds contains further biographical documentation and correspondence (relating to artworks, to the Loring and Wyle Trust Fund, to personal matters including finances, and to their estate) and an additional collection of photographs. Fonds consists of the following series: (Frances Loring) Lists of art works (Frances Loring) Biographical information Loring genealogy and historical background (Florence Wyle) Poems (Florence Wyle) Diaries, calendars and journals (Florence Wyle) Historical and biographical information (Florence Wyle) Price lists, exhibitions, catalogues, works (Florence Wyle) Articles/lectures (Florence Wyle) Miscellaneous Photographs (1983 donation) Loring & Wyle papers (1987 accrual) Loring & Wyle photographs (1987 accrual)

The collection consists of newspaper articles, reproductions, illustrations, exhibition notices and invitations, death notices, photographs and biographical notes on 112 Canadian artists (birthdates 1803 to 1915) and four arts organizations: Canadian Society of Painters in Water Colour, Ontario Society of Artists, Royal Canadian Academy of Arts, and Toronto Art Students’ League.

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

Fonds consists of Michael Snow’s correspondence with family, other artists, musicians, filmmakers, dealers and curators; sketchbooks, art portfolios and sound recordings of the artist’s work; photo-documentation and other materials related to his artworks, publications, music and films; financial and legal records; reviews and other writings about the artist; posters and promotional material from exhibitions. Fonds is comprised of the following series: Correspondence (1992 donation) Walking Woman projects Film projects (1992 donation) Music projects (1992 donation) Other artistic projects (1992 donation) Public commissions (1992 donation) Financial records (1992 donation) Legal records (1992 donation) Reviews Canadian Filmmakers Distribution Centre Publications Sketchbooks Early portfolios Correspondence (1996 donation) Film projects (1996 donation) Other artistic projects (1996 donation) Public commissions (1996 donation) Music projects (1996 donation) Book/writing projects Secondary writings/Writings on Snow Financial records (1996 donation) Legal records (1996 donation) Posters Mailers

Fonds consists of the administrative files created by the Mercer Union gallery during the first twenty years of its existence, including photographs and slides, material printed for the gallery (catalogues, posters, invitations etc.), newspaper reviews, and a small number of video tapes, audio tapes and computer disks. Files remain in the order they were received; errors in filing have not been corrected. Fonds is comprised of the following series: Artist/exhibit files Board of Directors files Programming binders Curatorial files Promotional material

The fonds consists of sketches and preparatory works of art from throughout Frederick Hagan’s career, records of his teaching at the Ontario College of Art, personal correspondence, poetry by Hagan, photographs of the artist and his work, journals and record books, press clippings and representative wood-blocks used in printing. Fonds consists of the following series: Correspondence Exhibition files Exhibition notices and invitations Exploration of Canada stamps Letters to Isabelle Hagan Ontario College of Art files Photographs Poetry – loose Poetry books Posters Press clippings Record books Subject files Travel journals and notes Wood-blocks for Poems for Alice Works on paper

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

Fonds consists of the contents of an autograph album, primarily consisting of letters received by Goldwin Smith from various correspondents throughout North America and Europe. The fonds also includes a few intact pages of the album with autographs.

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

The fonds consists of correspondence with art dealers, artists and public art institutions, invoices, shipping and customs forms and other documents relating to their involvement in the international art market in the mid-20th century. Carbon copies of letters written by the Zacks and letters written to them are included. The fonds also contains the administrative files kept by the Zacks: insurance lists, index cards for art and books, photographs and catalogues. The fonds includes the records of the Zacks’ involvement as board members in a variety of organizations relating to the arts, including agendas, memos, minutes of meetings, and travel arrangements. Correspondence files document the Zacks’ involvement in the State of Israel, through its cultural institutions, and communication with prominent citizens. Mrs. Zacks’ papers created after her husband’s death relate to her honourary degree, the Order of Canada, board activities and social involvement. Fonds is comprised of the following series: General correspondence Artist files Dealer files Public institution files Exhibition catalogues Photographs Administrative files Exhibitions of the collection Boards and committees Israel Personal

The fonds consists of textual materials and photographs. The textual material consists of a small number of original documents such as a hand-written letter from Mrs. Jane A. Whatmough to her daughter, Annie Louise Gallagher, dated 1904, wedding invitations and funeral a programme, as well as Gallagher and Whatmough family trees compiled by Howard Gallagher (1887-1997), a Whatmough Family History compiled by Janet (Whatmough) Cureton in 1974, and a 1932 yearbook of the Ontario Agricultural College and Macdonald Institute (Guelph). Included is a typescript, "Greenwood Farm", by Grant A. Whatmough, 1976 (225 pages). There are 80 photographs. Some had labels or inscriptions, others were identified with the assistance of Grant A. Whatmough or the Gallagher and Whatmough Family Trees. Fonds is comprised of the following series: Photographs Gordon Gallagher Gallagher family Grant Al Gallagher Family trees/yearbook